Written by Taylor Baker
Often staring into a screen or mirror as they billow out more vapor there is an unsatisfied anger intertwined with a yearning at the heart of primary subjects in this Danish Documentary. Dark Blossom begins with quick cuts of skulls, and people in black running between vibrant flowers up to a dead and decomposing fox covered by a common plastic bucket piled with bricks. Not more than a few minutes later we see Jay, one of our main subjects, request to listen to Celine Dion’s “My Heart Will Go On” while getting a stick and poke tattoo, notably it’s his first tattoo. The music fades as he answers a phone call from his Mom and deceives her as to what he’s up to.
The assembled footage in Dark Blossom primarily shows the activities and social situations that our three subjects navigate through. Their predilections and aversions. With a constant focus toward the asymmetry of their outcast-like experience and temporary intimacy as a group. Elucidated by voice over, stark images, and their general behavior. The discomfort in their own skin is physically apparent in how often we see them applying makeup, modifying their bodies, and dying their hair. All while they continue to grow.
Repetition. Josephine, Jay, and Nightmare(Mareridt) repeat physical actions, sentences, and emotions. A smaller repetitive moment occurs midway through the film where after a long day lugging around outfits and caked in makeup they’re brought the wrong soda at a restaurant. Which ensues a debate about whether to complain, Jay is experiencing fatigue and eventually the argument peters out. This scene is later followed by a quieter scene in Jutlund where Coke is being surreptitiously drunk in the far corner of the table. It’s a small creative choice but in the context of the film it’s a moment that lingers and speaks volumes about the dispersion of these friends. Dark Blossom narrowly shows the broadness of a small group of young adults disaffected with life in their small town and the status quo.
Dark Blossom Trailer