Written by Eric Zhu "Operating simultaneously as urban revenge thriller, space opera, and a Japanese version of a wuxia flick, Toyoda treats each genre vernacular as part of the same overarching prison. Attempting to liberate the film from narrative, he … Continue reading.
Written by Eric Zhu "Despite the references to real-world tensions, “QueerPanorama” exists in a punishingly claustrophobic headspace. This is most obvious in the barren abstraction of Cheung’s apartment, where Cheung’s arrested development is on..."… Continue reading.
Written by Taylor Baker ""28 Years Later" delves into something more profound; it operates more in the realm of John Huston and Billy Wilder, where world-building emerges organically from character development, enhanced by the director's signature techniques."… Continue reading.
Written by Taylor Baker ""Wick is Pain," settles all that noise into a straightforward documentary about the labor of love and behind-the-scenes feuds that turned a little indie action film into another conglomerate film universe with its numerous spin-offs."… Continue reading.
Written by Taylor Baker "Ari Aster's “Eddington” arrives as a fever dream of American paranoia, where Amazon delivery trucks become harbingers of doom and COVID masks transform into tribal markings. Set within a heightened, hyperreal version of..."… Continue reading.
Written by Livvy O'Brien "The Pre-Raphaelites have always moved me deeply, especially their way of blending raw emotion with detail. Sir John Everett Millais’ “Ophelia” painting embodies this perfectly. The painting is a symphony of symbolism: the poppies tangled in … Continue reading.
Written by Alexander Reams "Every moment of the fourth-wall interview is just a reminder of the laziness of “The Alto Knights,” when it so desperately wants to be in the same conversation as Scorsese, Coppola, Spielberg, Eastwood, and Miller’s late-career … Continue reading.
Written by Michael Clawson "Melodrama gives way to domestic horror in Nicholas Ray’s phenomenal “Bigger Than Life,” a movie of feverish, boldly menacing visual style. Like Sam Fuller’s “The Naked Kiss,” the film points ahead to David Lynch’s surrealist suburban … Continue reading.
Written by Alexander Reams "The film's most significant shortcoming lies in its ultra-glossy digital cinematography from the usually reliable Seamus McGarvey. The switch from celluloid to digital results in a loss of the grime and texture that made the first … Continue reading.
Written by Alexander Reams "...14 years later, "Final Destination" returns to claim a new group of fodder when they inexplicably escape their predetermined deaths—except this time, these characters were supposed to die before they were ever born."… Continue reading.
