Written by Eric Zhu "Shot in telephoto long takes with little to no acknowledgment of an outside world, Serra once again works in the present, but molds reality into something elemental and timeless. In a way, the film is..."… Continue reading.
Author: Drink in the Movies
Weapons
Written by Alexander Reams "All of it plays out as if it would in real life; every single parent is scared and looks for somewhere to put their fear, and Garner holds that weight as the emotional anchor of the … Continue reading.
NYFF 2025: Dry Leaf
Written by Eric Zhu "Like many of the best films, “Dry Leaf” is endlessly thought-provoking, but gracious and easygoing on a moment-to-moment basis. Unencumbered by narrative, it’s motivated by the simple pleasures of pastoral vistas, rich humanity, and..."… Continue reading.
VIFF 2025: With Hasan in Gaza
Written by Eric Zhu "For us, unbound from the burden of direct representation, these images invite speculation of who these people are, of who they might be now, of lives before these images, and of Palestine’s future."… Continue reading.
VIFF 2025: Christy
Written by Taylor Baker "With some decent fight choreography and dedicated turns by Merritt Weaver and Ethan Embry as Christy's mother and father, this would-be redemption story amounts to little by the time we see Sweeney walk out and bump … Continue reading.
VIFF 2025: Two Prosecutors (Zwei Staatsanwälte)
Written by Taylor Baker "Losznitsa, a director who primarily films documentaries, lets his cameras roll for extended sequences, allowing the spaces to come to life and the characters time to inhabit them. It is when Kornyev acts with kindness or … Continue reading.
NYFF 2025: The Currents (Las Corrientes)
Written by Eric Zhu "Although various metaphorical dimensions of water are explored, chief among them the feeling of being trapped in a vortex between Lina’s escapist desire and maternal love, “The Currents” is a film about keeping up appearances in … Continue reading.
VIFF 2025: It Was Just an Accident
Written by Eric Zhu "While on first glance, this is one of Panahi’s weaker films, there’s still evident thought put into the deployment of theatrical artifice. The film pointedly alternates between urban neorealism (all the more effective for how rare … Continue reading.
One Battle After Another
Written by Taylor Baker "...a reinterpretation for a new generation, showing that while time turns things don’t change too much. As the film unfolds, its secret societies, larger-than-life characters, and cartoonish grandiosity give way to a fable steeped in realism … Continue reading.
NYFF 2025: Levers
Written by Eric Zhu "The disruption of daily routine that the darkness inspires, and the corresponding subversion of cinematic legibility, are what enable the film’s expansive sprawl. Perhaps the intimate nocturnal atmosphere is also..."… Continue reading.
