Written by Alexander Reams "On top of a film that is already meticulously crafted down to a single line. The usage of the worlds between death and life is a wonderful marination of themes that have been present throughout Miyazaki’s..."… Continue reading.
Written by Alexander Reams "“Thanksgiving” begins with the biggest fear of any retail worker: Black Friday. Roth sets the tone perfectly with claustrophobic insert shots of various crowd members in between large wides which establish the chaotic environment..."… Continue reading.
Our Drink in the Movies team have compiled a comprehensive year-end piece that provides a shared look at each of our top 5 Limited Series and Television Show selections of 2023.… Continue reading.
Our Drink in the Movies team have compiled a comprehensive year-end piece that provides a shared look at each of our top 10 films of 2023.… Continue reading.
Since my time at Drink in the Movies started, I’ve been doing more and more in the editing space, including video countdowns in 2021 and 2022. But now, it’s time to complete the trilogy, the video countdown returns- year three.… Continue reading.
Written by Livvy O'Brien "In the vibrant realm of the skateboarding subculture, “Skate Kitchen” initially appears to be a thrilling ride through the streets of New York City, focusing on empowering girls to feel confident in engaging in a culture … Continue reading.
Written by Jeff Sparks "Every year there’s at least one project that audiences love to hate for its artistic liberties. Last year it was “Blonde," and this year it’s “The Idol.” One of the main complaints is the amount of … Continue reading.
Written by Alexander Reams "Each scene has a grandiose feel because of Flanagan’s and Fimognari’s technical excellence, shooting on the Arri Alexa 65 gives an old-school cinematic feel to even the closest of shots."… Continue reading.
Written by Alexander Reams "“The Marsh King’s Daughter” is almost completely inept. The scale between over and under-explaining leans much heavier toward the latter. And it’s a damn shame too, because there is a good movie somewhere in the..."… Continue reading.
Written by Taylor Baker "Yorgos Lanthimos and Emma Stone reteam in another period piece wherein Mary Shelley’s Frankenstein is feminized and used as a looking glass to interrogate society and corporeality. “Poor Things” sees Bella Baxter (Emma Stone) under..."… Continue reading.
