Dickie plays a 999 fire department phone line operator who takes a call from a woman trapped in a burning house with her son… Continue reading.
Ste. Anne
The natural landscape of Manitoba takes on an ethereal quality in Ste. Anne, the experimental first feature from Canadian writer/director Rhayne Vermette. Intuitive editing conjures a sense of floating… Continue reading.
The Tender Bar
With The Tender Bar, George Clooney has now directed eight movies, it is confounding to figure out exactly what he is interested in as a director. Since his promising one-two punch of Confession of a Dangerous Mind and Good Night … Continue reading.
Alexander Reams’ Favorite Films of 2021: A Video Countdown
Alexander Reams’ Favorite Films of 2021: A Video Countdown… Continue reading.
Màxima
A beautiful aerial shot of the Andes mountains in Peru filled with lush green and crystalline waters draws you in. Contrasted against aerial images of the earthy and brown tones of the Yanacocha Mine… Continue reading.
Drink in the Movies Top 10 Films of 2021
Our Drink in the Movies team have compiled a comprehensive year-end piece that provides a shared look at each of our top 10 films of 2021. You can see their selected titles… Continue reading.
Hawkeye
Hawkeye has never been anybody’s favorite Avenger (unless you want to be a contrarian), and so the announcement that Jeremy Renner would be headlining his own show was met with rather muted enthusiasm, mostly because no one cared that much. … Continue reading.
Predator
Written by Michael Clawson 90/100 “Get to de choppa!!" That's always been my go-to line when trying to do Arnold's voice, and I didn't even realize until now that it’s from Predator. Having never seen it in its entirety, I must … Continue reading.
Red Road
Written by Jeff Sparks 75/100 Red Road is the feature film debut of both legendary director Andrea Arnold and actress Kate Dickie. Coming after Arnold’s award-winning slice of life short Wasp, here Arnold decided to go for a more plot-based … Continue reading.
The Hand of God
Written by Anna Harrison 80/100 “Reality is lousy,” proclaims Marchino (Marlon Joubert). That is why, according to him, and (apparently) according to Frederico Fellini, we make movies, but is that the only reason? That’s the question driving Paolo Sorrentino’s latest, … Continue reading.
