Episode 105: Saint Maud / Shiva Baby

“I wasn’t particularly thinking about the likes of Carrie or The Exorcist during writing or shooting, but I can see in hindsight how people have drawn those parallels. Maybe I did it subconsciously without realising.”

Rose Glass

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This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: Hope & The Killing of Two Lovers and the Feature Films: Saint Maud and Shiva Baby.

Anna Harrison’s Review of Shiva Baby.

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Shiva Baby

Written by Anna Harrison


“One word: plastics.” 

Except, in writer/director Emma Seligman’s feature debut Shiva Baby, what was one word to Benjamin Braddock in The Graduate has become several to college senior Danielle (Rachel Sennott): law school, grad school, media, actress, entrepreneur, clerk. A whole host of options, many of them infused with that infuriatingly vague business lingo—what does a clerk even do, anyways—present themselves to Danielle, offered up by well-meaning friends and family members who cannot understand her indecision and paralysis. She’s created her own major at Columbia University focusing on women’s and gender studies, a fancy and erudite degree that lacks the assembly line nature of say, a business degree. That’s all well and good until faced with the issue of becoming financially independent when you have practically nothing in the “real world” to put on your resume. (No, in case you were asking, I, a senior in film studies at a prestigious university known for its business and pre-med students, did not relate to this.)

Faced with these choices and the looming prospect of actual adulthood, Dani has seized on something she can control: her sexuality. Dani has become a sugar baby, faking orgasms to Max (Danny Deferrari) in exchange for money and nice jewelry. Things seem to be going well enough until Dani’s parents, Debbie and Joel (Polly Draper and Fred Melamed, both great), drag her along to a shiva gathering, a Jewish mourning event. Dani’s ex, Maya (Maya Gordon), appears there, to Dani’s shock and dismay (aside from a few jokes about experimenting, barely anything is made out of Dani’s bisexuality; it simply exists), and then the real kicker comes: Max arrives, accompanied by his flawless wife Kim (Dianna Agron) and their baby. 

As her parents shuffle her around and try to pawn Dani off on someone for an internship or job she doesn’t want, Dani’s eyes keep getting drawn to Maya and to Kim, whom she didn’t know existed until today. Everyone keeps bombarding her with questions, commenting that she seems too thin—“You look like Gwyneth Paltrow on food stamps”—and Dani, feeling more and more overwhelmed, quickly spirals. Stuck in the same location, confronted by overbearing relatives, crying babies, and hounded by Ariel Marx’s horror-like score, the claustrophobia sets in.

Even with the mounting sense of dread, Shiva Baby remains sharply funny and relatable, and Rachel Sennott’s bitter and witty performance, accompanied by the accomplished supporting cast, helps elevate the film. However, though the film is only just over an hour long, it feels stretched in some places—understandably, since it began its life as a short film. Still, Shiva Baby is an alternatingly funny, awkward, and heartwarming film, and promises excellence from Emma Seligman.

You can follow more of Anna’s work on LetterboxdTwitterInstagram, and her website.

Sundance 2021 Review: Rebel Hearts

Written by Maria Manuella Pache de Athayde



SYNOPSIS: During the 1960s, a tight-knit group of progressive nuns in Hollywood discarded their habits and gleefully oversaw a radical women’s college grounded in social activism. Spearheaded by sisters Anita Caspary, Helen Kelley, and Corita Kent (also a renowned pop artist), Immaculate Heart College ensured women received degrees at an unprecedented rate and crested a tidal wave of social change that engulfed the nation. But as the nuns marched on Selma and transformed the education system, they incurred the wrath of the archbishop of Los Angeles and, with him, the church’s entrenched old guard.

With a mixture of defiance and joy, Rebel Hearts reveals one of the biggest religious showdowns of the twentieth century, which pitted a delightfully noncomforming group of feminist nuns against a powerful patriarchy insistent on female subservience. Pedro Kos’s euphoric and essential documentary reveals a groundbreaking sisterhood that not only flipped the bird—politely—at the Catholic Church’s brazen misogyny but, through their teachings, fundamentally reshaped American society.

REVIEW: “Changing is what keeps us growing.” Rebel Hearts directed by Pedro Kos is one of those rare festival gems. Featured in the US Documentary Competition this movie tackles religion, feminism, and the patriarchy through animation, archival and current day footage. As a Catholic and women’s college graduate the stories of the Sisters at Immaculate Heart College, in Los Feliz, CA,  Rebel Hearts spoke to me on a very personal level.

The women featured in this documentary are the epitome of kick ass. From the get go these women were out to challenge the patriarchy and what it meant to be a nun. Many of them said they joined the convent as a way to get out of marriage and as a means to obtain education. Along the way they received a fierce push back from Cardinal McIntyre when decried the Sisters of the Immaculate Heart of Mary for promoting liberalism and straying away from their vows. In his words, “they were becoming way too modern”. This doc exposes the past and present unsavoriness of the Catholic Church.

It also discusses the radical change brought about by Vatican II. The Sisters of the Immaculate Heart of Mary welcomed these changes because it “encouraged them to explore new ways of living”. They used this opportunity to form commissions to discuss changes in religious ways of life and take agency on their own life as women and Sisters. These Sisters marched with Dr. King in Selma, AL, had lunch with Coretta King, protested the war in Vietnam, supported reform to the labor conditions of farm workers, and endorsed the abolishment of the death penalty. Throughout this process they learned about the cause of justice, peace, and social activism.

The Sisters were arrested many times and they were okay with that. They claimed that “if you really think something is wrong it is important to put your body on the line” and that they did. This culminated with their participation in the 2017 Women’s March among other protests like defending DACA and putting an end to human trafficking. They argued that protest with joy has the power to transform everyone that’s a part of it. Following the dispensation of their vows the former Sisters still continue being an active part of the Los Angeles community. Their passion for justice is what drives them and it continues to this day.


Rebel Hearts Interrogation Clip

Rebel Hearts is currently playing the Sundance 2021 Film Festival.

You can follow Maria Manuella Pache de Athayde on LetterboxdTwitter, or Instagram and view more of what she’s up to here.