Toronto International Film Festival 2021 Review: The Guilty (2021)

Written by Taylor Baker

48/100

Before talking about Antoine Fuqua’s The Guilty one has to mention the Danish film on which it’s based. Gustav Möller’s Den skyldige which translates to The Guilty, was submitted by Denmark for their Foreign Language Category at the Oscars in 2019. All that to say Fuqua isn’t remaking a poor film, one that perhaps needs it. Instead he with Netflix is retelling nearly the same story from 3 years ago absent any meaningful reason other than the original wasn’t in English.

Fuqua is coming off his worst film to date in May on Paramount+ he released Infinite. Which starred a checked out Mark Wahlberg opposite of a dialed in maniacal Chiwetel Ejiofor. Fuqua’s gone back and forth with hits and misses his whole career. Whether you measure from critical acclaim or actual dough at the box office. The Guilty is a return to form in that it’s fine. It dots i’s it crosses t’s. He puts a great actor in front of his camera and makes him work. Jake Gyllenhaal is game. Chewing on the darkness and wheezing his way through conversations to save a little girl at the other end of the phone line.

It’s all just a little thin though. I can’t quite believe the circumstances surrounding our character Joe Baylor played by Gyllenhaal. He’s supposedly a complex and ranging bad guy. I mean he is one of our “guilty” from the title, after all. But he seems heroic not just for moments but nearly the entire runtime. And when his ugly moments do come out he seems pathetic rather than responsible. There’s a tonal loss of control from the originals central character Asger Hold performed expertly by Jakob Cedergren and this rendition.

Toronto International Film Festival 2021

Instead of sticking to the tight, suffocating atmosphere that worked so well, Fuqua opts instead to constantly look out through the TV screens to fires raging in LA. His message, themes if you want to be courteous enough to call them that are worn on his knuckles. He’s trying to juggle a bunch of different issues that in his own words preceding the film he wants to bring attention to. Well unfortunately, bringing attention to things and doing a service to them are very different and though his heart may be in the right place his storytelling wasn’t.

The Guilty is at it’s best Gyllenhaal is bug eyed on the phone with Emily and Abby. Trying to help them be reunited safely. The brief moments Gyllenhaal’s Officer Baylor shares with Ethan Hawke’s no bullshit Sgt. Bill Miller ring as a revelation. Hawke as voice actor is superb. Venomous, witty, clever, and insightful all through his annunciation. Once casting directors see what he can do I suspect there will be a late career boom of Ethan Hawke voice acting.

Fuqua’s “one roomer” does little to build on its predecessor. But it doesn’t do it a disservice. The original is undeniably better, but I expect this rendition to be receive lots more eyes with the language shift. Undoubtedly one of the better Netflix Original films to come out this year.

The Guilty Trailer

The Guilty was screened as part of the 2021 edition of the Toronto International Film Festival and will be available on Netflix starting October 1st, 2021.

You can follow more of Taylor’s thoughts on LetterboxdTwitter, and Rotten Tomatoes.

Episode 74: Shirley / The King of Staten Island / Young Ahmed

“Filming is like a house, you have to feel comfortable in it.”

Luc Dardenne

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

On Episode 74 of the Podcast Michael & Taylor discuss their First Impressions of: You Should Have Left & Lovecraft Country. Followed by the Feature Films: Shirley, The King of Staten Island, and Young Ahmed in their lead up to the Top 10 of the year so far Episode.

Streaming links for titles this episode

Shirley on Hulu

Young Ahmed on Kanopy and Criterion Channel

The King of Staten Island is currently available to rent from multiple sources.

Drink in the Movies would like to thank PODGO for sponsoring this episode. You can explore sponsorship opportunities and start monetizing your podcast by signing up for an account here: https://podgo.co/apply If you do please let them know we sent you, it helps us out too!

Episode 71: Valley Girl (2020) / Capone / The Night of the Hunter

“Method actors give you a photograph. Real actors give you an oil painting.”

Charles Laughton

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

On Episode 71 of the Podcast Michael & Taylor discuss their First Impressions of: The King of Staten Island & Shirley. Followed by the Titles: Valley Girl, Capone, and The Night of the Hunter.

Streaming links for titles this episode

Capone on Prime Video and Kanopy

Valley Girl (2020) and The Night of the Hunter are currently available to rent from multiple sources.