Written by Patrick Hao "Matt Ruskin’s “Boston Strangler” seemingly has two goals in mind. First, to capture the trend of the true crime genre, a bonafide hit in every conceivable entertainment medium these days. Second, to convey a “girl boss” … Continue reading.
Written by Patrick Hao 38/100 Ghostbusters: Afterlife seems to be a particularly apt title for the franchise. For something to have an afterlife, it suggests that it must be dead and there is an attempt at a resurrection. This new … Continue reading.
Written by Anna Harrison In these retrospectives, Anna will be looking back on the Marvel Cinematic Universe, providing context around the films, criticizing them, pointing out their groundwork for the future, and telling everyone her favorite scene, because her opinion … Continue reading.
Written by Anna Harrison In these retrospectives, Anna will be looking back on the Marvel Cinematic Universe, providing context around the films, criticizing them, pointing out their groundwork for the future, and telling everyone her favorite scene, because her opinion … Continue reading.
Written by Michael Clawson 90/100 Unease pervades nearly every dusky image in this brooding, slow-burn drama from Sean Durkin, writer/director of the also great Martha Marcy May Marlene (2011). Set predominantly in the countryside of 1980s England, it’s the story of … Continue reading.
"I have a philosophy about the two extremes of filmmaking. The first is the "Kubrick way," where you're at the end of an alley in which four guys are kicking the shit out of a wino. Hopefully, the audience members … Continue reading.
