2021 Broadcast Critics Choice Awards Preview

Written by Alexander Reams

In recent years, the Critics Choice awards have been a great predictor on what will not only be nominated at the Oscars, but what might win. This year the awards are being given out almost a whole month before the Oscar nominations even come out, on the flipside, voting begins this Friday (March 5), two days later, the Critics Choice Awards happen, which could help the winners and the nominees that have fallen behind in the guilds and other respective awards shows.

BEST PICTURE
– Da 5 Bloods
– Ma Rainey’s Black Bottom
– Mank
– Minari
– News of the World
– Nomadland
– One Night in Miami…
– Promising Young Woman
– Sound of Metal
– The Trial of the Chicago 7

After the (somewhat) surprise win for Nomadland at the Golden Globes, I think that win secured its win for the Critics Choice Awards this Sunday, the only other film I think that could challenge it would be The Trial of the Chicago 7 or Mank.

BEST DIRECTOR
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– David Fincher: Mank
– Spike Lee: Da 5 Bloods
– Regina King: One Night in Miami…
– Aaron Sorkin: The Trial of the Chicago 7
– Chloé Zhao: Nomadland

The Critics Choice awards have historically split Best Director and Best Picture, so if Nomadland wins Best Picture, then I think David Fincher will win for Mank, and vice versa. Also, quick rant, why is Emerald Fennell even being considered for this category, her direction is the entire reason I believe Promising Young Woman is a mediocre film. Either way, she’s nominated so that should show that she is in the running for Best Director, for some reason.

BEST ACTOR
– Ben Affleck: The Way Back
– Riz Ahmed: Sound of Metal
– Chadwick Boseman: Ma Rainey’s Black Bottom
– Tom Hanks: News of the World
– Anthony Hopkins: The Father
– Delroy Lindo: Da 5 Bloods
– Gary Oldman: Mank
– Steven Yeun: Minari

I think we all have the same winner in mind, Chadwick Boseman, he has been the runaway winner the entire awards season thus far. On the flipside, Riz Ahmed has been the critical darling, so he is definitely one to watch for.

BEST ACTRESS
– Viola Davis: Ma Rainey’s Black Bottom
– Andra Day: The United States vs. Billie Holiday
– Sidney Flanigan: Never Rarely Sometimes Always
– Vanessa Kirby: Pieces of a Woman
– Frances McDormand: Nomadland
– Carey Mulligan: Promising Young Woman
– Zendaya: Malcolm & Marie

The Best Actress race is still a little tied up between Frances McDormand, Vanessa Kirby, and Carey Mulligan, I believe that Mulligan will take it, as she has always been a critical darling.

BEST SUPPORTING ACTOR
– Chadwick Boseman: Da 5 Bloods
– Sacha Baron Cohen: The Trial of the Chicago 7
– Daniel Kaluuya: Judas and the Black Messiah
– Bill Murray: On the Rocks
– Leslie Odom, Jr.: One Night in Miami
– Paul Raci: Sound of Metal

I think with Daniel Kaluuya suddenly emerging as the freight train frontrunner for the Oscar will undoubtedly be taking the award home. The only other competitor is Sacha Baron Cohen, but even he might be too far behind to take home the award.

BEST SUPPORTING ACTRESS
– Maria Bakalova: Borat Subsequent Moviefilm
– Ellen Burstyn: Pieces of a Woman
– Glenn Close: Hillbilly Elegy
– Olivia Colman: The Father
– Amanda Seyfried: Mank
– Yuh-Jung Youn: Minari

This season’s Best Supporting Actress race has been a very complicated one, but Glenn Close is who I think will be taking it home as a career win. Possibly Yuh-Jung Youn for her role in Minari, but in America she is relatively unknown and this is an American critics group, I’d lean towards Close in my predictions.

BEST YOUNG ACTOR/ACTRESS
– Ryder Allen: Palmer
– Ibrahima Gueye: The Life Ahead
– Alan Kim: Minari
– Talia Ryder: Never Rarely Sometimes Always
– Caoilinn Springall: The Midnight Sky
– Helena Zengel: News of the World

Helena Zengel has been getting a lot of acclaim for her role in News of the World, and will most likely take home the win. Her only competition is Alan Kim, who also has been getting a lot of acclaim for Minari.

BEST ACTING ENSEMBLE
– Da 5 Bloods
– Judas and the Black Messiah
– Ma Rainey’s Black Bottom
– Minari
– One Night in Miami
– The Trial of the Chicago 7

The Trial of the Chicago 7 has one of the best casts of the year, and all of them give fantastic performances as an ensemble, and will undoubtedly win the award.

BEST ORIGINAL SCREENPLAY
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– Jack Fincher: Mank
– Eliza Hittman: Never Rarely Sometimes Always
– Darius Marder & Abraham Marder: Sound of Metal
– Aaron Sorkin: The Trial of the Chicago 7

The original screenplay award is very tied up, but Aaron Sorkin just got a huge boost from his Golden Globes win, which I think will put him ahead of Promising Young Woman and Mank.

BEST ADAPTED SCREENPLAY
– Paul Greengrass & Luke Davies: News of the World
– Christopher Hampton and Florian Zeller: The Father
– Kemp Powers: One Night in Miami
– Jon Raymond & Kelly Reichardt: First Cow
– Ruben Santiago-Hudson: Ma Rainey’s Black Bottom
– Chloé Zhao: Nomadland

Nomadland has one of the best screenplays of the year, and will most likely be taking the award home, the only competition being One Night in Miami….

BEST CINEMATOGRAPHY
– Christopher Blauvelt: First Cow
– Erik Messerschmidt: Mank
– Lachlan Milne: Minari
– Joshua James Richards: Nomadland
– Newton Thomas Sigel: Da 5 Bloods
– Hoyte Van Hoytema: Tenet
– Dariusz Wolski: News of the World

While Joshua James Richards crafted some beautiful cinematography for Nomadland, you cannot ignore Erik Messerschmidt’s work in Mank, his gorgeous B&W cinematography of 1930s Hollywood I think will bring home the win for him.

BEST PRODUCTION DESIGN
– Cristina Casali, Charlotte Dirickx: The Personal History of David Copperfield
– David Crank, Elizabeth Keenan: News of the World
– Nathan Crowley, Kathy Lucas: Tenet
– Donald Graham Burt, Jan Pascale: Mank
– Kave Quinn, Stella Fox: Emma
– Mark Ricker, Karen O’Hara & Diana Stoughton: Ma Rainey’s Black Bottom

Mank has some of the best sets of the year and most likely will easily take home this win.

BEST EDITING
– Alan Baumgarten: The Trial of the Chicago 7
– Kirk Baxter: Mank
– Jennifer Lame: Tenet
– Yorgos Lamprinos: The Father
– Mikkel E. G. Nielsen: Sound of Metal
– Chloé Zhao: Nomadland

The Trial of the Chicago 7 has the flashiest editing, and it’s only competition is Tenet, but Chicago 7 will probably be taking home the win.

BEST COSTUME DESIGN
– Alexandra Byrne: Emma
– Bina Daigeler: Mulan
– Suzie Harman & Robert Worley: The Personal History of David Copperfield
– Ann Roth: Ma Rainey’s Black Bottom
– Nancy Steiner: Promising Young Woman
– Trish Summerville: Mank

Mank or Ma Rainey’s Black Bottom will be taking it as critics groups love a good period piece and they have the most lavish costume design.

BEST HAIR AND MAKEUP
– Emma
– Hillbilly Elegy
– Ma Rainey’s Black Bottom
– Mank
– Promising Young Woman
– The United States vs. Billie Holiday

Most likely Ma Rainey’s Black Bottom will be taking this for transforming Viola Davis as the titular character.

BEST VISUAL EFFECTS
– Greyhound
– The Invisible Man
– Mank
– The Midnight Sky
– Mulan
– Tenet
– Wonder Woman 1984

The Midnight Sky or Tenet will be taking this one, no contest.

BEST COMEDY
– Borat Subsequent Moviefilm
– The Forty-Year-Old Version
– The King of Staten Island
– On the Rocks
– Palm Springs
– The Prom

Most likely Borat, will be taking this one because of the politics, but I’d love to see On the Rocks or Palm Springs win.

BEST FOREIGN LANGUAGE FILM
– Another Round
– Collective
– La Llorona
– The Life Ahead
– Minari
– Two of Us

Another Round has run away with this award, plain and simple, and I am definitely okay with that.

BEST SONG
– Everybody Cries: The Outpost
– Fight for You: Judas and the Black Messiah
– Husavik (My Home Town): Eurovision Song Contest: The Story of Fire Saga
– Io sì (Seen): The Life Ahead
– Speak Now: One Night in Miami
– Tigress & Tweed: The United States vs. Billie Holiday

Let’s just say if One Night in Miami… doesn’t take it, I will be shocked.

BEST SCORE
– Alexandre Desplat: The Midnight Sky
– Ludwig Göransson: Tenet
– James Newton Howard: News of the World
– Emile Mosseri: Minari
– Trent Reznor & Atticus Ross: Mank
– Trent Reznor, Atticus Ross, and Jon Batiste: Soul

Trent Reznor and Atticus Ross are ruling awards season with their scores for Mank and Soul. I think they will most likely win for Soul, however I would love to see Göransson win for his career best work in Tenet.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

Episode 86: VIFF 2020 & NYFF 2020 / Undine / Nomadland / Time / The Human Voice

“A documentary film-maker can’t help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.”

Chloé Zhao

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: Sound of Metal & Minari. Followed by the VIFF 2020 and NYFF 2020 Titles: Undine, Nomadland, Time, and The Human Voice.

Visit us on Twitter, Instagram, and Facebook

Streaming links for titles this episode

Time is currently available on Prime Video

Undine has been acquired by IFC and currently awaits an official release date.

Nomadland has been pushed back from it’s December 4th 2020 release date and has not yet received an official release date.

The Human Voice will become available on March 21st, 2021

Drink in the Movies would like to thank PODGO for sponsoring this episode. You can explore sponsorship opportunities and start monetizing your podcast by signing up for an account here. If you do please let them know we sent you, it helps us out too!

Sound of Metal

Written by Anna Harrison

85/100

About halfway through Sound of Metal, Ruben (Riz Ahmed) is given a sign name in American Sign Language: a hand curled to form a “C” held up beside the right eye. The reason this becomes Ruben’s sign name is obvious the second you see Riz Ahmed’s enormous brown eyes in action, so big and expressive they seem to swallow the screen. He looks, as one character remarks upon, a bit like an owl, a trait that makes it difficult to look away when Ruben appears on screen.

Sound of Metal follows Ruben, a recovering addict who replaced heroin with music and a girlfriend, Lou (Olivia Cooke, with unfortunate bleached eyebrows for most of the film). As a drummer in a punk rock band with Lou, Ruben bombards his ears every night with loud guitar riffs and screeching, until one day he suddenly finds he cannot hear anything. Disoriented, distressed, Ruben tries to act like nothing has changed, and goes back onstage that night. Worried that he might relapse, Lou checks him into a facility for recovering addicts populated entirely by deaf people, run by the tough yet empathetic Joe, played by Paul Raci, who turns in an excellent, understated performance.

Ruben struggles without his music and without Lou; he can never bring himself to truly embrace his new identity, and flounders as he tries to avoid facing his situation head-on, finding inventive ways to keep his brain thinking about anything but his newfound deafness. Eventually, he begins to settle into a new life—learning ASL, teaching the drums to deaf children at the local school, and drawing raunchy tattoos for a friend—but no matter what he does, he cannot completely quiet the noise that remains in his head. He dreams of getting back to “normal,” and always remembers what he has lost even as he finds moments of joy in his new life. If the actual plot mechanics sound threadbare, that’s because they are, but the character work is rich.

As Ruben, Ahmed gives a nuanced and powerful performance, deftly portraying Ruben’s raw pain and rage while never drifting into melodrama. He is helped by first-time feature director Darius Marder (co-writer with his brother, Abraham, and Derek Cianfrance), who walks along a razor’s edge here with surety, avoiding pandering, easy answers and working hard to accurately portray sensitive topics without schmaltz. Ahmed’s best co-star, however, is not Cooke, but the entire sound department.

From the opening beats and screams of a punk rock song, the sounds immerse us. The whir of a blender, the drip of a coffee pot, and then, suddenly, a high-pitched ringing in the middle of bombastic drumming that drowns everything else out. Like Ruben, we are thrown into disarray, struggling to understand the world around us, straining to make out coherent noises through the fog. We slip and panic with Ruben. Sound flits in and out for the rest of the movie; sometimes we hear as Ruben does, sometimes we hear what he cannot, but always we are intensely aware of the sound or lack thereof. For those who have ever wondered—like me, back before I learned better—why “boring” sound editing and sound mixing are categories at the Academy Awards, here is your answer. 

It’s not a perfect movie; it has its lulls, and Lou, while an important presence, seems thinly sketched, and we are told that she is interesting rather than shown. But these quibbles do not detract too much from the film: Sound of Metal handles its quiet, personal story with grace, making us both yearn for chaos of noise and appreciate the stillness that comes with absolute silence.

Sound of Metal Trailer

You can watch Sound of Metal on Prime Video

You can follow Anna on Letterboxd