Written by Anna Harrison "A long time ago in a galaxy far, far away, “Star Wars” was good. It looked beautiful. Its characters were lively. Its script had meaning (even if it sometimes lacked nuance). The releases were proper events, … Continue reading.
Written by Anna Harrison "Matt Murdock has always been torn between two worlds: one where justice is carried in a court of law with the bang of a gavel, and the other where justice is dispensed in a back alley … Continue reading.
Written by Anna Harrison "The most damning thing about Marvel’s “Echo,” one of the Marvel Cinematic Universe’s slew of Disney+ series, is that I, who have written pages upon pages about the MCU and devoted countless hours to it, delayed … Continue reading.
Written by Anna Harrison "For nearly every Marvel Studios show on Disney+, I’ve had the same complaints: why was this made, why does it look subpar, and why is it so rushed towards the end? It became tedious to write … Continue reading.
Written by Anna Harrison "In 2016—simpler times—the first “Deadpool” roared onto screens at just the right time. Fox’s X-Men universe was stuttering as the Marvel Cinematic Universe was racing towards (though not quite at) its peak..."… Continue reading.
Written by Anna Harrison "Stop me if you’ve heard this before: after a bumpy road and some time off the air, a guy named Russell T. Davies becomes showrunner for “Doctor Who,” rebrands his new season as “season one,” casts … Continue reading.
Written by Anna Harrison "There’s only so much a person can take. After increasingly mediocre outings from Marvel Studios, “Secret Invasion” has become its crowning shame: a convoluted mess of a series with what should be massive ramifications..."… Continue reading.
Written by Alexander Reams "Lowery’s adaptation is the antithesis to most of Disney’s recent fare, instead of a phoned-in, rushed, and overall lackluster production quality, it feels alive, the opening sequences in London feel more creatively inspired than the entirety … Continue reading.
Written by Nick McCann "How things have changed. If you want to make an absolute box office killing now, you can’t just make a movie. You have to pull from somewhere already existing, sequel the hell out of it, crossover … Continue reading.
Written by Anna Harrison "“Star Wars” has always been political, but “Andor” takes it to a new level in such an organic way that it puts everything else to shame..."… Continue reading.
