“I wasn’t particularly thinking about the likes of Carrie or The Exorcist during writing or shooting, but I can see in hindsight how people have drawn those parallels. Maybe I did it subconsciously without realising.”
This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: Cherry & Pelé. Then they look back 100 years to three 1921 Feature Films: Orphans of the Storm, Destiny, and The Phantom Carriage.
“What fascinates me in dreams is the idea that they emanate from our subconscious. I think that there are many possibilities to interpret dreams but a great deal of mystery always remains. When a dream is explained to us, it’s necessary to know the personal context of the subject. For example, what his childhood was like, his adolescence, his interpersonal relations. You’ve got to understand all these elements in order to tally up the dream and to decode it. At the cinema, that can’t happen because the approach demands the introduction of too many elements. In order for viewers to identify with this dream, I chose a parade which makes one think automatically of other common dreams and unconscious states. There are very old characters like objects that are discarded by people today or religious symbols that people have forgotten. I think that even nowadays, people have forgotten the importance of dreams.”
“When I make film music, I’m a filmmaker first and foremost. It’s about serving the needs of the film. You’re telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.”
This week on Drink in the Movies Michael & Taylor discuss their number 5-1 Favorite Films of 2020. As well as hand out show awards for each of their Rising Stars, Top 3 OST’s, Favorite Actor/Actress in a Lead and Supporting role, Top 3 Directorial Debuts, and their Top 3 Classic Film Discoveries.
“Archaeology is about digging. It’s like the work of moles, who live underground. A mole is virtually blind, but it has a nose and a feel for finding what it needs. And it has the patience to collect what it finds. It collects provisions to last through the winter.
In a dictatorship, the idea is to amass hidden stores of images and words, portraying the things that people living under the dictatorship might have actually experienced, but that could not necessarily be seen or heard. Then, when the dictatorship was no more, those images bore witness to it. Similar to the mole, the work of collecting those images required a certain nose for the worthwhile as well as practice, since a picture seldom makes it immediately apparent what it depicts and a sound seldom tells us of the part we can’t hear.”
This week on Drink in the Movies Michael & Taylor discuss their number 10-6 favorite films of 2020. As well as hand out show awards for each of their Wounded Soldiers of the year, Squandered Talents, Top 3 Ensembles, Paths Back to Excellence and their Top 3 Documentaries.
“I don’t underestimate audiences’ intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.”
“Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It’s about expanding how you see the world. I think we live in an age where we’re just hammered, hammered to think this is what the world is. Television’s saying, everything’s saying ‘That’s the world.’ And it’s not the world. The world is a million possible things.”