Written by Michael Clawson 100/100 Cooled-down melodrama: with performances perfectly calibrated to be heightened but not histrionic, Haynes very often takes the camera and backs away, shooting through windows and doorways to actively avoid magnifying the emotion of a scene. … Continue reading.
Written by Maria Manuella Pache de Athayde 65/100 With Portrait of A Lady on Fire (2019) as the gold standard, everything that's come after it has seemed subpar. Fastvold’s second feature, The World to Come, isn’t bad; but it's hard … Continue reading.
"I don't want to lie. I dislike dishonesty. And I work in Hollywood, a town and a business that relies on a lot of falsehoods with people hiding behind different facades. I don't want to be a part of that."David … Continue reading.
