On Golden Pond

Written by Michael Clawson

50/100

Several days into their first trip of the Spring to their cozy, lakeside cabin, elderly husband and wife Norman and Ethel are joined by their grown daughter Chelsea, from whom Norman is estranged, her new dentist boyfriend Bill, and his mildly angsty teenage son, Billy. The Letterboxd plot description would have you think that what follows is a period of reconciliation between Norman and Chelsea, particularly since those characters are played by Henry and Jane Fonda, who famously had a father-daughter rift of their own. 

But that’s not really what this is at all. In fact, Chelsea and her boyfriend bolt for Europe about as quickly as they arrive, leaving Norman and Ethel to take care of Billy for the month. Norman and Billy bond as they spend their days together fishing, while Norman also experiences the onset of Alzheimer’s. 

It’s sappy and prettier than it is artful; footage of ducks on the sun-dappled surface of the lake isn’t much more than greeting card imagery, and the corny score that rarely lets up isn’t much better. Henry Fonda and Katherine Hepburn bring personality to their roles, but it isn’t enough to overcome the cliches by which their characters are each defined: he’s a cranky ‘ol geezer, she’s an outgoing free-spirit with the energy of a woman half her age. There isn’t much to their relationship as a couple, nor is there much of interest in Norman and Billy’s friendship. I did get some laughs from it, mainly from Norman’s sarcastic and self-deprecating wit. But it doesn’t have enough to say about entering your twilight years, and steps around the father-daughter dynamic that should have been its centerpiece.

On Golden Pond Trailer

On Golden Pond is currently streaming on Hoopla and Kanopy. You can also rent or purchase it on major VOD platforms.

Jungle Cruise

Written by Taylor Baker

55/100

Disney’s new theme park ride inspired film Jungle Cruise is a tale of two films, something not all that surprising when you factor in that 7 writers worked on the film. 4 writers for the story, 3 more for the screenplay. We start out the film with a run of the mill exposition of the MacGuffin–a magical flower in Brazil–that morphs into an imploring speech by Jack Whitehall’s McGregor. Requesting that he be allowed to inspect a recently unearthed treasure from a learned men’s society. The speech he’s delivering was in fact written by his sister, Lily played by Emily Blunt. Hijinks ensue, leading to a chase sequence in which a maniacally accented Austro-Hungarian Prince played by Jesse Plemons has our modern Mary Poppins dangling precariously from a ladder outside a window, with the now stolen arrowhead she so desired safely tucked away. Rather than hand it over to him in exchange for her safety she opts to drop down onto a double-decker bus parked just beneath her, courtesy of her brother, and we’re off to the races!

This first introduction is reminiscent in multiple ways to the 1999 classic The Mummy. Whether period, the charming brother side character (John Hannah), and the heroine who seemingly knows more about the legend than anyone else Evie (Rachel Weisz) the makings of a good well rounded adventure story all seem to be here. But before we go too far down that bend in the river, there’s another apt comparison and one that had me sold on the premise of the project long before I ever saw a trailer, the idea that it was a modern riff on a storied classic, The African Queen. As similar as Emily Blunt’s Lily feels to Weisz’s Evie from at least that introduction the actual character of Lily that Emily continues to inhabit feels directly informed, if not lifted from Katharine Hepburn’s fantastic turn as Rose Sayer in the 1951 classic. Strong minded and unflappable, Blunt’s character finds a natural evolution to Hepburn’s Sayer in adorning herself with breeches rather than dresses. And dressing down The Rock’s Frank for his behavior and jokes rather than his alcoholism. Which Frank demonstrates plenty of.

Eventually Lily and McGregor make it to Brazil while old Frank is trying to get his engine back from Paul Giamatti’s gold toothed crony Nilo. Hijinks once again ensue and once everyone arrives in place to the character situations we were prepared for in the trailer Plemons’ Prince Joachim erupts from the water and begins shooting. They get away as expected, there’s too much runtime left for a quick offing, for those of us checking our watches, and we get 30-40 minutes more of dad jokes(a personal favorite of mine), character development that isn’t sloppy, and fun asides. Then it begins to slip, the sexless heap of a man that is Dwayne Johnson begins to visually long toward Blunt, the joviality of very flawed crazy human characters is eschewed for CG conquistadors that make one long for the old days of Davy Jones’ lifelike depiction in the Pirates series 15 years ago, and the charm of it all evaporates the further down the river we go.

The legend we’re introduced to in the beginning of the film turns out to be real. And it appears our characters goose is cooked. Character secrets get revealed. We hear the full legend of Aguirre, and it’s pitifull when mentally compared against the Herzog classic. Magic flowers(our MacGuffin from the beginning) that may grant eternal life/heal all ailments/lift curses are now every characters absolute goal. The eyerolling romance between Blunt and Johnson is forced. Disney isn’t backing down though, and rather than let any relationship between the two megastars simmer just out of frame they opt instead to give us a tropey underwater sequence where they *have* to lock lips to exchange oxygen(Really? This took you 7 writers to figure out?). It’s a boorish character choice, and one that stands in stark contrast to the self aware dialogue spewed by both Johnson and Whitehall the first half of the film. I won’t give away the finale, but I will say the cruise does indeed come to an end. For now at least the Jungle Cruise ride has a story. Let’s hope the next time Disney puts a portion of their theme park on the big screen they use half as many writers, and keep things more on the rails.



Jungle Cruise Trailer

Jungle Cruise is currently screening theatrically and on Disney+

Episode 101: John Huston: The African Queen / Key Largo / The Asphalt Jungle

“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world.”

John Huston

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: The Eddy & Hollywood and the John Huston Feature Films: The African Queen, Key Largo, and The Asphalt Jungle.

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Streaming links for titles this episode

The African Queen is currently available on Hoopla & Prime Video

Key Largo & The Asphalt Jungle are currently available to rent or purchase