The Wait (L’attesa)

Written by Michael Clawson

50/100

Just after experiencing a devastating loss, Anna (Juliette Binoche) hosts Jeanne (Lou de Laâge) for several days at a Sicilian villa as they await the arrival of Giuseppe, Anna’s son and Jeanne’s lover. They spend their time meandering the grounds and dining well together as Jeanne grows increasingly suspicious of Giuseppe’s absence and Anna waits to share with Jeanne the true reason for her grief.

“L’attessa” (aka “The Wait”) is the feature directorial debut from Piero Messina, who clearly prefers dialogue to be sparse and for imagery to tell much of the story. He leans heavily on Binoche’s ability to communicate emotion with facial expression and body language and tries to amplify dramatic moments with musical crescendos. Suspense is built on multiple fronts: the audience is probed to wonder about the true whereabouts of Giuseppe, his and Jeanne’s history, and when, if ever, Anna will bring Jeanne out of the dark about what so intensely upsets her.

Binoche and de Laâge do more than enough to lend credibility to their interactions, but the film is dripping too profusely with contrivances to maintain a comfortable level of drama. At one point, we see Anna attempt to squeeze every last drop of air from an inflatable pool toy, as if the effort from doing so will allow her to shed the burden of her grief. It’s reminiscent of Messina’s effort to inject feeling into every frame, so much so that the experience is nearly stifling.

The Wait Trailer

The Wait is currently available to stream on Prime Video and Kanopy

Episode 96: Doc Talk Part 5 / Man with a Movie Camera / Making Waves: The Art of Cinematic Sound / Ex Libris: The New York Public Library

“I don’t like to read novels where the novelist tells me what to think about the situation and the characters. I prefer to discover for myself.”

Frederick Wiseman

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of Vivos & State Funeral and the Documentary Titles: Man with a Movie Camera, Making Waves: The Art of Cinematic Sound, and Ex Libris: The New York Public Library.

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Streaming links for titles this episode

The Man with a Movie Camera on Kanopy

Making Waves: The Art of Cinematic Sound on Hoopla, Tubi TV, and Prime Video

Ex Libris: The New York Public Library on Kanopy

Episode 95: RoboCop / Starship Troopers / Miami Vice

“I don’t underestimate audiences’ intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.”

Michael Mann

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of Project Power & She Dies Tomorrow and the Feature Films: RoboCop, Starship Troopers, and Miami Vice.

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Streaming links for titles this episode

RoboCop is currently available on Prime Video

Starship Troopers is currently available on Tubi TV

Miami Vice is currently available to rent or purchase

Episode 89: The Host / The Hunger / The Bird with the Crystal Plumage

I really hate the creature film convention that says you have to wait until the end to see the monster. One hour and all you’ve seen is just the tip of the creature’s tail.

Bong Joon-ho

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This week on Drink in the Movies Michael & Taylor discuss their First Impressions of Mank & News of the World. Followed by the Titles: The Host, The Hunger, and The Bird with the Crystal Plumage.

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Streaming links for titles this episode

The Host on Hulu, Prime Video, Criterion Channel and Kanopy

The Hunger and The Bird with the Crystal Plumage are currently available to rent or purchase

Episode 88: The Outside Story / MLK/FBI / 76 Days

The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.

Martin Luther King Jr.

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of the Prime Video Titles: I’m Your Woman & Sylvie’s Love. Followed by Official Selections to the Heartland International Film Festival, San Diego International Film Festival, and the Double Exposure Investigative Film Festival. These Official 2020 Film Festival Selections are: The Outside Story, MLK/FBI, and 76 Days.

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Streaming links for titles this episode

MLK/FBI will be released by IFC FIlms on January 15th 2021

76 Days is currently available in Virtual Cinemas

The Outside Story is currently seeking distribution.

Drink in the Movies would like to thank PODGO for sponsoring this episode. You can explore sponsorship opportunities and start monetizing your podcast by signing up for an account here. If you do please let them know we sent you, it helps us out too!

Sound of Metal

Written by Anna Harrison

85/100

About halfway through Sound of Metal, Ruben (Riz Ahmed) is given a sign name in American Sign Language: a hand curled to form a “C” held up beside the right eye. The reason this becomes Ruben’s sign name is obvious the second you see Riz Ahmed’s enormous brown eyes in action, so big and expressive they seem to swallow the screen. He looks, as one character remarks upon, a bit like an owl, a trait that makes it difficult to look away when Ruben appears on screen.

Sound of Metal follows Ruben, a recovering addict who replaced heroin with music and a girlfriend, Lou (Olivia Cooke, with unfortunate bleached eyebrows for most of the film). As a drummer in a punk rock band with Lou, Ruben bombards his ears every night with loud guitar riffs and screeching, until one day he suddenly finds he cannot hear anything. Disoriented, distressed, Ruben tries to act like nothing has changed, and goes back onstage that night. Worried that he might relapse, Lou checks him into a facility for recovering addicts populated entirely by deaf people, run by the tough yet empathetic Joe, played by Paul Raci, who turns in an excellent, understated performance.

Ruben struggles without his music and without Lou; he can never bring himself to truly embrace his new identity, and flounders as he tries to avoid facing his situation head-on, finding inventive ways to keep his brain thinking about anything but his newfound deafness. Eventually, he begins to settle into a new life—learning ASL, teaching the drums to deaf children at the local school, and drawing raunchy tattoos for a friend—but no matter what he does, he cannot completely quiet the noise that remains in his head. He dreams of getting back to “normal,” and always remembers what he has lost even as he finds moments of joy in his new life. If the actual plot mechanics sound threadbare, that’s because they are, but the character work is rich.

As Ruben, Ahmed gives a nuanced and powerful performance, deftly portraying Ruben’s raw pain and rage while never drifting into melodrama. He is helped by first-time feature director Darius Marder (co-writer with his brother, Abraham, and Derek Cianfrance), who walks along a razor’s edge here with surety, avoiding pandering, easy answers and working hard to accurately portray sensitive topics without schmaltz. Ahmed’s best co-star, however, is not Cooke, but the entire sound department.

From the opening beats and screams of a punk rock song, the sounds immerse us. The whir of a blender, the drip of a coffee pot, and then, suddenly, a high-pitched ringing in the middle of bombastic drumming that drowns everything else out. Like Ruben, we are thrown into disarray, struggling to understand the world around us, straining to make out coherent noises through the fog. We slip and panic with Ruben. Sound flits in and out for the rest of the movie; sometimes we hear as Ruben does, sometimes we hear what he cannot, but always we are intensely aware of the sound or lack thereof. For those who have ever wondered—like me, back before I learned better—why “boring” sound editing and sound mixing are categories at the Academy Awards, here is your answer. 

It’s not a perfect movie; it has its lulls, and Lou, while an important presence, seems thinly sketched, and we are told that she is interesting rather than shown. But these quibbles do not detract too much from the film: Sound of Metal handles its quiet, personal story with grace, making us both yearn for chaos of noise and appreciate the stillness that comes with absolute silence.

Sound of Metal Trailer

You can watch Sound of Metal on Prime Video

You can follow Anna on Letterboxd

Episode 82: Rescreening The Handmaiden

“The point of revenge is not in the completion but in the process.”

Park Chan-wook

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This week on Drink in the Movies Michael & Taylor Rescreen Park Chan-wook’s The Handmaiden and provide a First Impression on our next Rescreening episode title, Kenneth Lonergan’s Margaret.

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The Handmaiden Trailer

The Handmaiden is currently streaming on Prime Video

Suspiria (2018)

Written by Michael Clawson

85/100

By ditching the phantasmagoric color that animated Argento’s beloved classic and foregrounding the political turmoil of late 1970s Germany, Guadagnino steeps his reimagining of Suspiria in reality, only to send it dancing into the depths of a beautifully twisted nightmare at the drop of a silver hook.

Call Me By Your Name‘s warm and inviting Italian countryside setting is a distant memory in the halls of the Markos Dance Academy, which feels more like a mausoleum than the home to a group of lithe, young, female dancers. With its labyrinthine corridors draped in greys, browns, and blacks, it’s cold and forbidding; hardly the atmosphere in which one can imagine feeling emboldened to perform with the kind of carnal and instinctual drive that Suzie Bannion does. As Suzie, Dakota Johnson’s physicality is tantalizing, and the razor sharp cross-cutting between one of her first dances and her fellow dancer Olga being contorted and folded like a pretzel is an unforgettable display of weaponized art.

Borrowing only the bones of the original, Guadagnino’s Suspiria is wholly his own. For all the death, rot, and decay that seems to sit beneath the dance floor, the film’s vision is new and fresh.

Michael Clawson originally posted this review on Letterboxd 11/09/18

Available on Prime Video

Episode 72: Doc Talk Part 4 / 17 Blocks / Midnight Family / What She Said: The Art of Pauline Kael

“I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

Pauline Kael

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

On Episode 72 of the Podcast Michael & Taylor discuss their First Impressions of: Present.Perfect. & Mother. Followed by the Documentaries: 17 Blocks, Midnight Family, and What She Said: The Art of Pauline Kael.

Streaming links for titles this episode

What She Said: The Art of Pauline Kael on Prime Video

Midnight Family is currently available to rent from multiple sources.

17 Blocks is currently seeking distribution and is not yet widely available.

Episode 70: Never Rarely Sometimes Always / Les Miserables (2019) / Sorry We Missed You

“The duty of a film director is to focus more on the soul of the spectator.”

Ken Loach

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

On Episode 70 of the Podcast Michael & Taylor discuss their First Impressions of: True History of the Kelly Gang & Capone. Followed by the the Titles: Never Rarely Sometimes Always, Les Miserables (2019), and Sorry We Missed You.

Streaming links for titles this episode

Les Miserables (2019) on Prime Video

Sorry We Missed You on Kanopy

Never Rarely Sometimes Always is currently available to rent from multiple sources.

Never Rarely Sometimes Always Poster Art was generously provided by Illustrator and Designer Tom Ralston.

Tom Ralston’s Instagram, Twitter, Website, and Contact Page.