Episode 84: VIFF Kickoff / The Devil All the Time / Sibyl / Siberia

“Life is what happens when you’re doing other things, right?”

Abel Ferrara

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This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: The Trial of the Chicago 7 & Shithouse. Followed by The Devil All the Time, Sibyl, and the VIFF 2020 Official Selection Siberia.

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Streaming links for titles this episode

The Devil All the Time on Netflix

Siberia is currently seeking distribution

Sybil is currently available to rent from multiple sources.

The Devil All the Time

Written by Nick McCann

84/100

As far as getting new releases, this year bites. It’s a good thing the streaming platforms all had full banks to deploy. Admittedly I’m still not all that enthused with Netflix originals, but the output has been steadily improving these last few years. This particular release captured my interest with it’s Appalachia aesthetic and emphasis on story.

The story covers a range of characters, places and time periods. I found it reminiscent of when films strove for artistic quality on top of pure entertainment. I was hooked all the way through. It moves along at a slow pace. In each situation we see the fates of these characters come to fruition. Fate is the keyword. As you feel the momentum build up to a crescendo, you also come to realize the title itself bears good meaning. For all the faith a person can have, their inner demons always rear their heads. This is an involving and thematically rich tale full of betrayal, lust and suspense.

There’s a great cast. Each does an excellent job justifying the part they play. Tom Holland leads with his most raw role to date. You feel for him instantly once he comes on screen as a young man shaped by tragedy and trying to get by in gritty surroundings. This is another reliable turn out by Robert Pattinson as a borderline mad preacher. You also get a scuzzy Sebastian Stan, Jason Clarke being creepy, a brief turn from Mia Wasikowska and more. It’s the kind of movie where I loved getting to know the characters and watching them come together.

On the technical side, the production design was convincing at realizing this setting. In a rickety looking past that’s full of character. The cinematography delivers too, lingering on moments of heavy emotion and moving with life when things get lively. The soundtrack and score help sell the immersion of its time period. It’s the kind of movie where I wouldn’t mind seeing a normal day go on in this community.

There’s some fleeting bits of action when the emotions and suspense start to peak. These sequences are well executed, building up to the absolute edge before ending as fast as they start. The one nitpick I have is you can see where they edit a frame out to sell a punch better. Still there are some hard hitting beat downs. Scenes with guns fare much better with an emphasized realism on the violence. The blood and make-up effects are good. Don’t take this as saying its action at every turn. When conflict arises, it feels natural and is appealing in how grounded it is kept.

If this were on physical media, I can see myself picking up a copy. The Devil All the Time is a solid character drama that takes you on a good haul with a flawed and vulnerable ensemble. The world the film paints around them, one of misinterpretation and corruption, is one I found enjoyable to get engaged with.

The Devil All the Time Trailer

Currently available to stream on Netflix

Episode 83: An American Pickle / She Dies Tomorrow / Waiting for the Barbarians

“Losing all the preconceptions that I had about storytelling, about the world, you know, and learning to see the world from a different perspective. It sounds romantic, but it’s not an easy process at all.”

Ciro Guerra

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of a duo of Netflix Releases in The Devil All the Time & I’m Thinking of Ending Things. Followed by the Titles: An American Pickle, She Dies Tomorrow, and Waiting for the Barbarians.

We’d like to thank PODGO for sponsoring us this episode.
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Streaming links for titles this episode

An American Pickle on HBO Max

She Dies Tomorrow and Waiting for the Barbarians on Hulu

Episode 81: Fantasia 2020 Part 2 / Survival Skills / PVT Chat / You Cannot Kill David Arquette

“I don’t want to lie. I dislike dishonesty. And I work in Hollywood, a town and a business that relies on a lot of falsehoods with people hiding behind different facades. I don’t want to be a part of that.”

David Arquette

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: The Batman & Ammonite. Followed by the Fantasia Film Festival Titles: Survival Skills, PVT Chat, and You Cannot Kill David Arquette.

We’d like to thank PODGO for sponsoring us this episode.
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PVT Chat is currently unavailable to rent.

Tenet

Written by Taylor Baker

86/100

Nolan revisits all the pieces of formulaic ingenuity that have risen him to the pinnacle of non-franchise blockbuster cinema, and it’s fun. The whole time you’re there, it’s a good time. When it’s done, you feel mostly satisfied, but that thing from Inception and Interstellar, the longing for a better understanding of the film. That is absent. The sheer emotional ride of Dunkirk leading you out the doors of the cinema winded, is also absent. But you had a fantastic time keeping up thru the spectacle of it all and seeing glorious movie stars projected on a screen with some of the largest action set pieces you’ll ever witness.

At bottom Tenet feels like a live concert from Nolan. Some of his greatest hits strung together in different ways than they were before. The fun of the premise is assuredly there, but the substance is notably absent. And I think I’m mostly okay with that. But after the runtime I am also filled with a deep longing to see him shoot a walk and talk that doesn’t include exposition in every drop of dialogue.

First trip to a theater in 6 months, it felt good to be back.

PS: While WB is developing shows on HBO based on their blockbuster films in 2020, I’d appreciate them greenlighting a TV-MA show centered around whatever Aaron Taylor-Johnson does outside of what we see in the movie.

Taylor Baker originally posted this review on Letterboxd 08/31/20

Tenet is currently in theaters.