Written by Alexander Reams "The film's most significant shortcoming lies in its ultra-glossy digital cinematography from the usually reliable Seamus McGarvey. The switch from celluloid to digital results in a loss of the grime and texture that made the first … Continue reading.
Written by Alexander Reams "O’Connor knows exactly the film he is making, he wants the audience to pay attention, to the decisions Wolff makes, to how Braxton intimidates or interrogates someone, to the way cinematographer Seamus McGarvey uses handheld and … Continue reading.
Written by Patrick Hao In casting Peter Dinklage, a formidable and charismatic screen presence, it is not hard to imagine Cyrano rising to be one of the leaders of the armed guards while also having the ability to best anyone … Continue reading.
Written by Nick McCann 88/100 I don’t think Roland Emmerich fully understood the gravity of his situation. When he made his own Godzilla movie back in 1998, he not only took advantage of the name for his own gain but … Continue reading.
Written by Michael Clawson 40/100 None of these characters elicited much feeling in me, nor did the atonal direction, which deprives the film of any noteworthy sense of anxiety, apprehension, or wry black humor that might have otherwise seeped outward from … Continue reading.
