BAFTA 2021 Awards Wrap Up

Written by Alexander Reams

Well the last big awards show before the Academy Awards took place, and while most of the winners were expected, as always there were some surprises. Without further ado, let’s go through the winners. 

Nomadland took home Best Picture after taking home almost every single award thus far, and Chloé Zhao continued her win streak for Best Director. At this point I would say Zhao is a lock for the Oscar, but after last awards season, my confidence in the guilds was slightly broken so it’s hard to say anything is a lock, but Nomadland taking Best Picture and Director is as close to a lock as can be. 

Promising Young Woman expectedly took home the award for Best British Film, and to some surprise, Best Original Screenplay. While you can never count out Aaron Sorkin, I feel that he has lost a lot of steam in this awards season and Emerald Fennell has picked up what Sorkin has lost and is looking like she will be taking home the win for Best Original Screenplay at the Oscars.



After winning most of the awards for Best Adapted Screenplay, Nomadland’s winning streak did not continue here, instead Florian Zeller’s The Father took home the award, giving the film a big push to take home the award. Anthony Hopkins also took home the award for his performance in The Father, beating Chadwick Boseman for what seems to be the first time this awards season. While I am glad Hopkins has gotten some recognition, I don’t think it will be enough to push Hopkins over to win the Oscar against Boseman. 

For the rest of the acting categories, Frances McDormand took home the award for Best Actress for her role in Nomadland, Yuh-Jung Youn won for her role in Minari, who has now become the frontrunner to win at the Oscars. Daniel Kaluuya continued his winning streak for his thunderous role in Judas and the Black Messiah. Something to remember with the Best Actress race is that Andra Day won the Globe, Carey Mulligan won the Critics Choice, and Viola Davis won the SAG award, and none of these women were BAFTA nominees, so McDormand got a big push, but seeing as Davis won the SAG, I would go with her on my Oscar ballot. Thomas Vinterberg’s film Another Round won Best Film not in the English Language, and will most likely continue this streak at the Oscars. Best Animated Film went to Soul as expected, as well as Best Original Score. 

Best Cinematography went to Nomadland, pushing Joshua James Richards ahead of Erik Messerschmidt’s cinematography in Mank, the race is still close but after this I’m leaning toward Richards to take home the Oscar. Best Editing went to Sound of Metal surprisingly, Alan Baumgarten and Chloé Zhao have been battling it out for the award throughout the season, and now with Sound of Metal’s win, that pushes it as a more serious contender than before. Sound of Metal also won Best Sound, at this point I don’t know any other film that could take home the award at this point, the film has runaway with the award.

Mank won in Best Production Design, and Ma Rainey’s Black Bottom won in Best Costume Design and Best Makeup and Hair, all of these were expected wins. Best Visual Effects went to the runaway winner, Tenet, Nolan films have always had an interesting history at the Oscars, but I think Tenet’s win is almost a lock.

2021 Broadcast Critics Choice Awards Preview

Written by Alexander Reams

In recent years, the Critics Choice awards have been a great predictor on what will not only be nominated at the Oscars, but what might win. This year the awards are being given out almost a whole month before the Oscar nominations even come out, on the flipside, voting begins this Friday (March 5), two days later, the Critics Choice Awards happen, which could help the winners and the nominees that have fallen behind in the guilds and other respective awards shows.

BEST PICTURE
– Da 5 Bloods
– Ma Rainey’s Black Bottom
– Mank
– Minari
– News of the World
– Nomadland
– One Night in Miami…
– Promising Young Woman
– Sound of Metal
– The Trial of the Chicago 7

After the (somewhat) surprise win for Nomadland at the Golden Globes, I think that win secured its win for the Critics Choice Awards this Sunday, the only other film I think that could challenge it would be The Trial of the Chicago 7 or Mank.

BEST DIRECTOR
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– David Fincher: Mank
– Spike Lee: Da 5 Bloods
– Regina King: One Night in Miami…
– Aaron Sorkin: The Trial of the Chicago 7
– Chloé Zhao: Nomadland

The Critics Choice awards have historically split Best Director and Best Picture, so if Nomadland wins Best Picture, then I think David Fincher will win for Mank, and vice versa. Also, quick rant, why is Emerald Fennell even being considered for this category, her direction is the entire reason I believe Promising Young Woman is a mediocre film. Either way, she’s nominated so that should show that she is in the running for Best Director, for some reason.

BEST ACTOR
– Ben Affleck: The Way Back
– Riz Ahmed: Sound of Metal
– Chadwick Boseman: Ma Rainey’s Black Bottom
– Tom Hanks: News of the World
– Anthony Hopkins: The Father
– Delroy Lindo: Da 5 Bloods
– Gary Oldman: Mank
– Steven Yeun: Minari

I think we all have the same winner in mind, Chadwick Boseman, he has been the runaway winner the entire awards season thus far. On the flipside, Riz Ahmed has been the critical darling, so he is definitely one to watch for.

BEST ACTRESS
– Viola Davis: Ma Rainey’s Black Bottom
– Andra Day: The United States vs. Billie Holiday
– Sidney Flanigan: Never Rarely Sometimes Always
– Vanessa Kirby: Pieces of a Woman
– Frances McDormand: Nomadland
– Carey Mulligan: Promising Young Woman
– Zendaya: Malcolm & Marie

The Best Actress race is still a little tied up between Frances McDormand, Vanessa Kirby, and Carey Mulligan, I believe that Mulligan will take it, as she has always been a critical darling.

BEST SUPPORTING ACTOR
– Chadwick Boseman: Da 5 Bloods
– Sacha Baron Cohen: The Trial of the Chicago 7
– Daniel Kaluuya: Judas and the Black Messiah
– Bill Murray: On the Rocks
– Leslie Odom, Jr.: One Night in Miami
– Paul Raci: Sound of Metal

I think with Daniel Kaluuya suddenly emerging as the freight train frontrunner for the Oscar will undoubtedly be taking the award home. The only other competitor is Sacha Baron Cohen, but even he might be too far behind to take home the award.

BEST SUPPORTING ACTRESS
– Maria Bakalova: Borat Subsequent Moviefilm
– Ellen Burstyn: Pieces of a Woman
– Glenn Close: Hillbilly Elegy
– Olivia Colman: The Father
– Amanda Seyfried: Mank
– Yuh-Jung Youn: Minari

This season’s Best Supporting Actress race has been a very complicated one, but Glenn Close is who I think will be taking it home as a career win. Possibly Yuh-Jung Youn for her role in Minari, but in America she is relatively unknown and this is an American critics group, I’d lean towards Close in my predictions.

BEST YOUNG ACTOR/ACTRESS
– Ryder Allen: Palmer
– Ibrahima Gueye: The Life Ahead
– Alan Kim: Minari
– Talia Ryder: Never Rarely Sometimes Always
– Caoilinn Springall: The Midnight Sky
– Helena Zengel: News of the World

Helena Zengel has been getting a lot of acclaim for her role in News of the World, and will most likely take home the win. Her only competition is Alan Kim, who also has been getting a lot of acclaim for Minari.

BEST ACTING ENSEMBLE
– Da 5 Bloods
– Judas and the Black Messiah
– Ma Rainey’s Black Bottom
– Minari
– One Night in Miami
– The Trial of the Chicago 7

The Trial of the Chicago 7 has one of the best casts of the year, and all of them give fantastic performances as an ensemble, and will undoubtedly win the award.

BEST ORIGINAL SCREENPLAY
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– Jack Fincher: Mank
– Eliza Hittman: Never Rarely Sometimes Always
– Darius Marder & Abraham Marder: Sound of Metal
– Aaron Sorkin: The Trial of the Chicago 7

The original screenplay award is very tied up, but Aaron Sorkin just got a huge boost from his Golden Globes win, which I think will put him ahead of Promising Young Woman and Mank.

BEST ADAPTED SCREENPLAY
– Paul Greengrass & Luke Davies: News of the World
– Christopher Hampton and Florian Zeller: The Father
– Kemp Powers: One Night in Miami
– Jon Raymond & Kelly Reichardt: First Cow
– Ruben Santiago-Hudson: Ma Rainey’s Black Bottom
– Chloé Zhao: Nomadland

Nomadland has one of the best screenplays of the year, and will most likely be taking the award home, the only competition being One Night in Miami….

BEST CINEMATOGRAPHY
– Christopher Blauvelt: First Cow
– Erik Messerschmidt: Mank
– Lachlan Milne: Minari
– Joshua James Richards: Nomadland
– Newton Thomas Sigel: Da 5 Bloods
– Hoyte Van Hoytema: Tenet
– Dariusz Wolski: News of the World

While Joshua James Richards crafted some beautiful cinematography for Nomadland, you cannot ignore Erik Messerschmidt’s work in Mank, his gorgeous B&W cinematography of 1930s Hollywood I think will bring home the win for him.

BEST PRODUCTION DESIGN
– Cristina Casali, Charlotte Dirickx: The Personal History of David Copperfield
– David Crank, Elizabeth Keenan: News of the World
– Nathan Crowley, Kathy Lucas: Tenet
– Donald Graham Burt, Jan Pascale: Mank
– Kave Quinn, Stella Fox: Emma
– Mark Ricker, Karen O’Hara & Diana Stoughton: Ma Rainey’s Black Bottom

Mank has some of the best sets of the year and most likely will easily take home this win.

BEST EDITING
– Alan Baumgarten: The Trial of the Chicago 7
– Kirk Baxter: Mank
– Jennifer Lame: Tenet
– Yorgos Lamprinos: The Father
– Mikkel E. G. Nielsen: Sound of Metal
– Chloé Zhao: Nomadland

The Trial of the Chicago 7 has the flashiest editing, and it’s only competition is Tenet, but Chicago 7 will probably be taking home the win.

BEST COSTUME DESIGN
– Alexandra Byrne: Emma
– Bina Daigeler: Mulan
– Suzie Harman & Robert Worley: The Personal History of David Copperfield
– Ann Roth: Ma Rainey’s Black Bottom
– Nancy Steiner: Promising Young Woman
– Trish Summerville: Mank

Mank or Ma Rainey’s Black Bottom will be taking it as critics groups love a good period piece and they have the most lavish costume design.

BEST HAIR AND MAKEUP
– Emma
– Hillbilly Elegy
– Ma Rainey’s Black Bottom
– Mank
– Promising Young Woman
– The United States vs. Billie Holiday

Most likely Ma Rainey’s Black Bottom will be taking this for transforming Viola Davis as the titular character.

BEST VISUAL EFFECTS
– Greyhound
– The Invisible Man
– Mank
– The Midnight Sky
– Mulan
– Tenet
– Wonder Woman 1984

The Midnight Sky or Tenet will be taking this one, no contest.

BEST COMEDY
– Borat Subsequent Moviefilm
– The Forty-Year-Old Version
– The King of Staten Island
– On the Rocks
– Palm Springs
– The Prom

Most likely Borat, will be taking this one because of the politics, but I’d love to see On the Rocks or Palm Springs win.

BEST FOREIGN LANGUAGE FILM
– Another Round
– Collective
– La Llorona
– The Life Ahead
– Minari
– Two of Us

Another Round has run away with this award, plain and simple, and I am definitely okay with that.

BEST SONG
– Everybody Cries: The Outpost
– Fight for You: Judas and the Black Messiah
– Husavik (My Home Town): Eurovision Song Contest: The Story of Fire Saga
– Io sì (Seen): The Life Ahead
– Speak Now: One Night in Miami
– Tigress & Tweed: The United States vs. Billie Holiday

Let’s just say if One Night in Miami… doesn’t take it, I will be shocked.

BEST SCORE
– Alexandre Desplat: The Midnight Sky
– Ludwig Göransson: Tenet
– James Newton Howard: News of the World
– Emile Mosseri: Minari
– Trent Reznor & Atticus Ross: Mank
– Trent Reznor, Atticus Ross, and Jon Batiste: Soul

Trent Reznor and Atticus Ross are ruling awards season with their scores for Mank and Soul. I think they will most likely win for Soul, however I would love to see Göransson win for his career best work in Tenet.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

2021 Golden Globes Wrap-Up

Written by Alexander Reams

Well, the Golden Globes have come and gone. However, they have planted some interesting seeds of what seem to be shoe in Oscar nominations, and added some dark horses to be watching for in the coming weeks. 

The biggest surprises of the night were Jodie Foster winning in the Best Supporting Actress category for The Mauritanian, Andra Day winning in the Best Actress; Drama category for The United States vs. Billie Holiday, and my favorite win of the night, Rosamund Pike winning in the Best Actress: Musical/Comedy category for I Care A Lot. Jodie Foster was never in the running for an Oscar nomination, and even her Globes nom was a complete surprise, but now I think she will at least be a dark horse in the Best Supporting Actress race in the Oscars. Most everyone has seemed to forget Lee Daniels middling and juvenile, and quite frankly, terrible film The United States vs. Billie Holiday. Despite most people forgetting about it, Andra Day nonetheless took home the award for Best Actress: Drama, making her presence in awards season all the more prevalent, for some reason. I would’ve much preferred Vanessa Kirby or Frances McDormand take her place on the stage. 

Nomadland winning Best Picture: Drama, and Chloê Zhao winning Best Director was not a big surprise. I was very happy to see her take home both awards, and will continue to root for her winning streak to continue on this awards season. Borat Subsequent Moviefilm winning Best Picture: Musical/Comedy was not a surprise, in the past the HFPA has loved Sacha Baron Cohen as the titular character, while he isn’t doing anything new here, what he does, he does well, and his win for Best Actor: Musical/Comedy was not a shock. Best Actor: Drama of course went to Chadwick Boseman for his career best work in Ma Rainey’s Black Bottom, for which I am very happy to see him getting all this acclaim for his magnificent work. Aaron Sorkin returned to the stage to take home the Best Screenplay Award for The Trial of the Chicago 7, which was one of my favorite films of last year. I’m happy to see him get more recognition as his directing career continues. 

Best Supporting Actor winner Daniel Kaluuya won for his powerful and heartbreaking portrayal as “Fred Hampton” in Shaka King’s brilliant Judas and the Black Messiah, which hopefully after this coming weekends Critics Choice Awards, will pave the way for him to take home the Oscar. Disney’s last offering of 2020, Soul, took home two big awards, Best Motion Picture: Animated, and Best Original Score, now I wholeheartedly agree with its BMP: Animated win. I define a good score as something that sticks with me, and none describe that more than Ludwig Göransson and his phenomenal work for Christopher Nolan’s Tenet, which I believe should’ve taken home the Best Original Score award. Best Foreign Language film went to A24’s Minari. At the Oscars however, this film will not be competing for this award so expect Thomas Vinterberg’s film Druk/Another Round, will be taking the award home that night.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

Episode 98: Favorite Films of 2020 Part 1

“Archaeology is about digging. It’s like the work of moles, who live underground. A mole is virtually blind, but it has a nose and a feel for finding what it needs. And it has the patience to collect what it finds. It collects provisions to last through the winter.

In a dictatorship, the idea is to amass hidden stores of images and words, portraying the things that people living under the dictatorship might have actually experienced, but that could not necessarily be seen or heard. Then, when the dictatorship was no more, those images bore witness to it. Similar to the mole, the work of collecting those images required a certain nose for the worthwhile as well as practice, since a picture seldom makes it immediately apparent what it depicts and a sound seldom tells us of the part we can’t hear.”

Thomas Heise

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This week on Drink in the Movies Michael & Taylor discuss their number 10-6 favorite films of 2020. As well as hand out show awards for each of their Wounded Soldiers of the year, Squandered Talents, Top 3 Ensembles, Paths Back to Excellence and their Top 3 Documentaries.

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The Empty Man

Written by Taylor Baker

82/100

The Empty Man marks the first time since The Invisible Man that I’ve been to a theater this year to see a film that I had low expectations for and came out the other end of the auditorium doors feeling completely different than when I went in. The Empty Man isn’t new IP, nor is it a directorial debut, it isn’t really doing anything remarkably “new”. But there’s something about it, something that simultaneously brings the hope and joy of storytelling through the lens format and plots itself along the methodical dark brooding that the horror genre can touch at its best.

The Empty Man isn’t a great film, I’d likely concede in conversation that depending on your preference for cinema it may not even be good film. However I find myself having loved the experience of watching it. David Prior very visibly had a clear direction he wanted to go with the film. It’s blending the expectations of horror tropes and go to cinematic moves and then twisting them just a bit. This isn’t a director with a story over his head, putting a hat on a hat to try to “get” the audience. This is a storyteller, who has a voice and isn’t making bold choices in how he presents his story but rather smart, simple, and effective ones.

Prior not only directs, but edits his film. A decision that may be wholly responsible for my positive response. There are more than a handful of moments that a transition or editing choice won me over as an audience member. Even in the face of it’s flaws, I’m looking at you CG pan down into the forest from a sub-orbital location. James Badge Dale turns in a sturdy performance. The special effects almost never underwhelm. The use of attention to negative space and sound design were incredibly flattering to the films progression.

I don’t know that I expect David Prior to continue on and grow further as a director. I can say that this work has me willing to offer him another chance. I’ll end on the most positive note I have, in the first third of the film there is a Google Search sequence with some of the most deft work of parsing and shooting search results and Wikipedia results that I’ve ever seen.

The Empty Man is the first true reason to go back to a theater since Tenet.

Recommended.

–Taylor Baker originally posted this review on Letterboxd 10/27/20