Army of the Dead is the latest film from Zack Snyder, and his second of 2021. The film follows Dave Bautista and a slew of others including Ella Purnell, Omari Hardwick (who has not been getting enough credit for his performance here), Ana de la Reguera, Theo Rossi, Matthias Schweighöfer, Nora Arnezeder, Hiroyuki Sonada, Garret Dillahunt, and a standout who borderline steals the scene ever chance she is on screen, Tig Notaro. This ragtag group of mercenaries is hired by Sanada to steal $200 million dollars in Las Vegas, the only hiccup, the city is walled off due to a zombie virus infecting the city.
Dave Bautista has been typecast ever since his breakout performance in 2014’s Guardians of the Galaxy as the buff tough guy who can also do comedy. In this film however he shows a much larger range. Snyder gives Bautista more room to work in, and leaves the comedy to other actors in the ensemble. The visual style of this film is similar to the previous style of Snyder’s previous films, but with him also being the Director of Photography along with Directing, he is in total control of the frame.
After the 8 year stint at Warner Bros and being screwed over constantly, Zack Snyder has been welcomed into the Netflix family with full creative control and support from the streaming giant. Giving Snyder full creative control might be the best decision made in this film. From the fantastic and mesmerizing opening scene and opening credits sequence, that has become a staple in Snyder’s visual style, that provide the viewer with as much laughs as shots that are nothing short of pieces of art. Snyder’s latest is the gory fun that we have come to expect from him and his return to the zombie genre is full of twists, great action scenes, and very colorful and memorable dialogue.
SYNOPSIS: When young loner Anna is hired as the gestational surrogate for Matt, a single man in his 40s who wants a child, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love.
Nikole Beckwith’s Together Together is what I’d call a typical Sundance film. It’s quirky but doesn’t overdo it. We are quickly told the story of Matt and his surrogate Anna. While I admit it is nice to see a surrogacy journey I could not see a lot of myself in the film and had a hard time connecting with the story.
I love Ed Helms but his character Matt’s stalkerish and controlling behavior and “need” to connect with his surrogate really put me off the film. It was the little things like asking Anna on a dinner date, when she clearly did not want to go, and controlling what she ordered because she’s pregnant with his baby. Or that time they were talking with a surrogacy counselor and he ignored her and acted like she wasn’t even in the room. There was also that time when he showed up at her work, a coffee shop, and unannounced brought her pair of clogs and tea to make her feel more comfortable even though she explicitly told him she did not want to tell anyone she’s pregnant. Or that time Matt got upset Anna was having sex with a rando. The list could go on and on.
I was also frustrated with Patti Harrison’s, Anna. She wants her space but, at the same time, there are little moments she spends with Matt, like when they pick out the color of the nursery where she was okay with their dynamic or let’s him touch her belly when they are in bed together. The movie is dotted with a few funny moments here and there but that’s not enough to make up for the other problems I described.
There are also a few moments where the movies question traditional gender stereotypes. Like when Matt and Anna discuss if it’s okay for Matt to have a baby shower? Or they discuss what being a single mom or single dad looks like especially the lack of pregnancy books for single men. The movie tries to make up for Matt’s behavior by portraying Matt as someone who is supportive and helps Anna navigate her fractured relationship with her family. Anna insists that they should set up boundaries because she won’t be in the baby’s life once it’s born but then accepts Matt’s invitation when he asks her to move in until the baby is delivered.
Ultimately, I think it tries too hard to be charming and sweet. It tries to question traditional stereotypes (which is something I generally love to see on film) but it doesn’t completely succeed in doing so. My favorite character and moments in the film were Julio Torres’ (Jules) and his one liners. I definitely want to watch more of Beckwith, Harrison, and Torres’ work in the future. I know that this movie will find an audience, but it just wasn’t for me.