Episode 113: Best of 2021 So Far

“I believe that as much as you influence your film, the film also influences you. You think you are in control but then things happen that you didn’t anticipate. That’s cinema, and you need to be open and listen to your film.”

Dea Kulumbegashvili, Director of Beginning

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This week on Drink in the Movies Michael & Taylor discuss their 10 favorite films of 2021 so far, as well as hand out show awards for Wounded Soldiers, Squandered Talents, Best Ensemble, Best Documentary, Best OST, Best Actor and Actress(Lead and Supporting), Best Directorial Debut, and Best Classic Discovery.

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Michael Clawson on Letterboxd | Taylor Baker on Letterboxd

Forget which film you wanted to check out while listening? Find links to both Taylor and Michael’s lists below: Michael’s Top 10 on Letterboxd | Taylor’s Top 10 on Letterboxd

Episode 93: Preston Sturges: Easy Living / The Lady Eve / Sullivan’s Travels

“When the last dime is gone, I’ll sit on the curb outside with a pencil and a ten cent notebook and start the whole thing over again.”

Preston Sturges

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This week on Drink in the Movies Michael & Taylor discuss their First Impressions of Undine & Babyteeth and the Preston Sturges Films: Easy Living, The Lady Eve, and Sullivan’s Travels.

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There are no streaming links for titles this episode

The Lady Eve and Sullivan’s Travels are currently available to rent or purchase digitally

Easy Living is not currently available

You can read Michael’s review of Easy Living here.

Episode 86: VIFF 2020 & NYFF 2020 / Undine / Nomadland / Time / The Human Voice

“A documentary film-maker can’t help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.”

Chloé Zhao

Links: Apple Podcasts | Castbox | Google Podcasts | LibSyn | Spotify | Stitcher | YouTube

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of: Sound of Metal & Minari. Followed by the VIFF 2020 and NYFF 2020 Titles: Undine, Nomadland, Time, and The Human Voice.

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Streaming links for titles this episode

Time is currently available on Prime Video

Undine has been acquired by IFC and currently awaits an official release date.

Nomadland has been pushed back from it’s December 4th 2020 release date and has not yet received an official release date.

The Human Voice will become available on March 21st, 2021

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Written by Alina Faulds


Director Christian Petzold brings Paula Beer and Franz Rogowski together again for his latest feature Undine, a love story tinged with European mythology. The film opens on a bitter note, Johannes (Jacob Matschenz) brings Undine (Paula Beer) to their regular date spot, a cafe outside the Berlin City Museum-to break up with her. She tells him that she’ll have to kill him. While subtly shown in the film, the title gives Undine’s true presence away. She is an undine, a type of water nymph that longs to live amongst humans. With Johannes breaking up with her he’s doomed Undine, but her luck changes very quickly when she’s swept off her feet by a diver named Christoph (Franz Rogowski). 

Undine works best when it focuses on its romance. Petzold previously had Beer and Rogowski act as love interests in his film Transit, and their chemistry is just as present in Undine. Undine and Christoph fall for each other hard, cuddled in each other’s arms as they stroll the streets of Berlin and steal kisses from each other. Undine works as a historian at the Berlin City Museum giving lectures on urban development. Christoph loves her so dearly that he happily listens to her speaking and also takes her diving to see her name carved on an underwater wall. They’re quite the sentimental pair as Undine carries around a diver figurine that looks like it belongs in a fish tank. Rogowski makes Christoph into an extremely kind and loving man, fascinated with Undine’s quiet intensity. Petzold takes meticulous care in crafting the relationship between Undine and Christoph, their love is what ties the film together.

Where Petzold’s film struggles is in its mythology, which is largely brushed over. Undine is supposed to be an undine, but Petzold never makes this clear other than a strange underwater scene with a catfish named Gunther. The water nymph story is not explained very well either, as Petzold goes for a subtler approach with his narrative. When Undine tells Johannes that she’ll have to kill him for breaking up with her, it’s not implied that Undine is a water nymph and would have to go back to the lake from which she came. Her great desire to stay on land fails to be explored properly because of how quickly she meets Christoph. Any time Petzold tries to hint at this mystical plot point Undine loses itself. 
Undine works best when it purely focuses on the aching romance between Undine and Christoph. The tension between Beer and Rogowski translates beautifully into the devoted love their characters have for each other. Yet Petzold’s insistence on adding the undine water nymph myth into his film does not work, especially for those who have no prior knowledge of water nymph characteristics. The fact that Undine is an undine feels shoehorned into the film for no good reason other than a nice parallel that Christoph happens to be a diver and Undine is from a lake. If Petzold had taken more time to articulate how undines function this story would have worked much better, unfortunately, Undine is too rushed, a murky romance that loses itself in unexplained mythology.

Undine screened as part of the 2020 Vancouver International Film Festival.

VIFF Website: https://viff.org/Online/

You can follow Alina Faulds’ Letterboxd, Twitter, or Instagram and view more of her work here.