Essie Davis Interview

“The invention of the tripod was the best thing to happen to photography and the worst thing to happen to cinematography.”
Pan Nalin, Director of Last Film Show

This week on Drink in the Movies Michael & Taylor discuss their First Impressions of the Fantasia 2021 Titles: The Suicide Squad & All the Moons and the Tribeca 2021 Feature Films: False Positive, Italian Studies, and Last Film Show. Followed by an Interview with Essie Davis conducted by Taylor Baker on her recent role as Bunny King, in the Tribeca 2021 Film, The Justice of Bunny King.

Streaming links for titles this episode

False Positive is currently available to stream on Hulu

Italian Studies, Last Film Show and The Justice of Bunny King are currently seeking distribution and are not yet available.

Visit us on your preferred Social Media Platform Letterboxd, Twitter, Instagram, and Facebook.

Michael Clawson on Letterboxd | Taylor Baker on Letterboxd

BAFTA 2021 Awards Preview

Written by Alexander Reams

UPDATE 4/10/21

Finally, the endgame of award season approaches, and despite the elongation eligibility, the awards season rush has never left. If anything it has built up to even more excitement than usual, and without further ado, lets jump into the nominees and who I think will be taking home the BAFTA.

I think it’s obvious by now that the Best Picture and Best Director races are entirely locked up at the BAFTAs. Nomadland has these awards almost entirely on lock. Be advised however, do not be surprised if Lee Isaac Chung or Thomas Vinterberg sneak in and take Best Director.

The acting races however are a bit more complicated, especially best actress. After the SAG awards last weekend the race got even more complicated, the BAFTAs have seemingly taken out some of that complication however. Only Frances McDormand and Vanessa Kirby are nominees here and at the Oscars. Do not be surprised if McDormand takes home the award, but with Kirby being from England, she does have home court advantage so she is definitely a dark horse to win.

Best Actor is almost entirely locked up, Chadwick Boseman has won almost every award possible for his performance in Ma Rainey’s Black Bottom, and he will undoubtedly continue his streak here. Best Supporting Actress will probably go to the recent frontrunner Yuh-Jung Youn for her performance in Minari. Best Supporting Actor is almost entirely locked up by Daniel Kaluuya ever since Judas and the Black Messiah came out, and he will undoubtedly continue his streak.

Quick run through of the other categories, best original screenplay is definitely between Promising Young Woman and The Trial of the Chicago 7, and I would give the edge to Chicago 7. Best Adapted Screenplay will probably be going to The Father, however don’t count out the huge amount of love that Nomadland has. The best cinematography race has been between Mank and Nomadland the entire awards season, and I believe it will end up going to Mank. Film Editing will most likely be going to The Trial of the Chicago 7.

As always take my predictions with a grain of salt and good luck with your ballots.

Original Article Below

Well, the BAFTA nominations have come out and saying there are some surprises, is quite an understatement. Just a quick show of what got snubbed mostly, or not even nominated; Da 5 Bloods, only nomination was supporting actor for Clarke Peters, Tenet, whose only nomination was for visual effects. While films like The Mauritanian, Rocks, and The Dig all lead with impressive nominations. Without further ado, let’s jump right in.

Best film

The Father
The Mauritanian
Nomadland
Promising Young Woman
The Trial of the Chicago 7

Well this is certainly an interesting batch of nominees, however, after the Golden Globes, Critics Choice, and its PGA nomination, I think that Nomadland will take home Best Picture at the BAFTA’s.

Outstanding British film

Calm With Horses
The Dig
The Father
His House
Limbo
The Mauritanian
Mogul Mowgli
Promising Young Woman
Rocks
Saint Maud

Unfortunately I have not seen as many of these I wish I had, such as Mogul Mowgli, The Mauritanian, The Father, and The Dig. This award seems to be between The Father, Promising Young Woman, and The Mauritanian. Most likely, Promising Young Woman will take home the win.

Leading actress

Bukky Bakray: Rocks
Radha Blank: The Forty-Year-Old Version
Vanessa Kirby: Pieces of a Woman
Frances McDormand: Nomadland
Wunmi Mosaku: His House
Alfre Woodard: Clemency

I will admit, I was a tad surprised when this batch of nominees was announced and the name “Carey Mulligan” was left off, as she seemingly had become the frontrunner. That being said, I think Vanessa Kirby of Frances McDormand will be the winner at the BAFTA’s.

Leading actor

Riz Ahmed: Sound of Metal
Chadwick Boseman: Ma Rainey’s Black Bottom
Adarsh Gourav: The White Tiger
Sir Anthony Hopkins: The Father
Mads Mikkelsen: Another Round
Tahar Rahim: The Mauritanian

1 Question: Has everyone forgot about Delroy Lindo? One of the best performances of 2020. Now, that has been addressed and I can gush about Mads Mikklesen, my favorite leading actor performance of 2020, being nominated for Best Actor, I am beyond thrilled to see him finally get some recognition for this beautiful performance. The winner will most likely be Chadwick Boseman, unless the BAFTA’s decide to go with Riz Ahmed.

Supporting actress

Niamh Algar: Calm With Horses
Kosar Ali: Rocks
Maria Bakalova: Borat Subsequent Moviefilm
Dominique Fishback: Judas and the Black Messiah
Ashley Madekwe: County Lines
Yuh-Jung Youn: Minari

Yuh-Jung Youn will most likely be winning this award, as the Best Supporting Actress race has been tied up all awards season, and she has been the one to make her way to the front of the race.

Supporting actor

Daniel Kaluuya: Judas and the Black Messiah
Barry Keoghan: Calm With Horses
Alan Kim: Minari
Leslie Odom Jr: One Night In Miami…
Clarke Peters: Da 5 Bloods
Paul Raci: Sound of Metal

While I think Daniel Kaluuya has this award on lock, there were definitely a few surprises here, Clarke Peters for Da 5 Bloods, Alan Kim for Minari, and someone who had fallen behind in the awards race, but my favorite supporting actor performance of 2020, Paul Raci. Really glad to see him in here, and hopefully that boosts his Oscar chances.

Director

Another Round: Thomas Vinterberg
Babyteeth: Shannon Murphy
Minari: Lee Isaac Chung
Nomadland: Chloé Zhao
Quo Vadis, Aida?: Jasmila Žbanić
Rocks: Sarah Gavron

The only big Oscar frontrunners in this category are Lee Isaac Chung and Chloé Zhao, that being said, Zhao has this award on lock. Thomas Vinterberg getting this nomination made me so happy, Another Round has not been getting the acclaim it deserves, besides Best Foreign Language film, but its direction, performances, and screenplay are all incredible.

Film not in the English language

Another Round
Dear Comrades!
Les Misérables
Minari
Quo Vadis, Aida?

I’ll keep this short and sweet, Another Round has this award on lock, plain and simple

Animated film

Onward
Soul
Wolfwalkers

Soul has been sweeping the animated categories wherever it goes, and I have no doubt it’ll be any different here.

Original screenplay

Another Round
Mank
Promising Young Woman
Rocks
The Trial of the Chicago 7

Since Emerald Fennell was omitted from the directing category, I think she might win in this, however Aaron Sorkin is in this category, and you can never count him out. Be on the look for one of those 2 to win the award.

Adapted screenplay

The Dig
The Father
The Mauritanian
Nomadland
The White Tiger

At this point I don’t know any film that can challenge Nomadland winning adapted screenplay.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

2021 Broadcast Critics Choice Awards Preview

Written by Alexander Reams

In recent years, the Critics Choice awards have been a great predictor on what will not only be nominated at the Oscars, but what might win. This year the awards are being given out almost a whole month before the Oscar nominations even come out, on the flipside, voting begins this Friday (March 5), two days later, the Critics Choice Awards happen, which could help the winners and the nominees that have fallen behind in the guilds and other respective awards shows.

BEST PICTURE
– Da 5 Bloods
– Ma Rainey’s Black Bottom
– Mank
– Minari
– News of the World
– Nomadland
– One Night in Miami…
– Promising Young Woman
– Sound of Metal
– The Trial of the Chicago 7

After the (somewhat) surprise win for Nomadland at the Golden Globes, I think that win secured its win for the Critics Choice Awards this Sunday, the only other film I think that could challenge it would be The Trial of the Chicago 7 or Mank.

BEST DIRECTOR
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– David Fincher: Mank
– Spike Lee: Da 5 Bloods
– Regina King: One Night in Miami…
– Aaron Sorkin: The Trial of the Chicago 7
– Chloé Zhao: Nomadland

The Critics Choice awards have historically split Best Director and Best Picture, so if Nomadland wins Best Picture, then I think David Fincher will win for Mank, and vice versa. Also, quick rant, why is Emerald Fennell even being considered for this category, her direction is the entire reason I believe Promising Young Woman is a mediocre film. Either way, she’s nominated so that should show that she is in the running for Best Director, for some reason.

BEST ACTOR
– Ben Affleck: The Way Back
– Riz Ahmed: Sound of Metal
– Chadwick Boseman: Ma Rainey’s Black Bottom
– Tom Hanks: News of the World
– Anthony Hopkins: The Father
– Delroy Lindo: Da 5 Bloods
– Gary Oldman: Mank
– Steven Yeun: Minari

I think we all have the same winner in mind, Chadwick Boseman, he has been the runaway winner the entire awards season thus far. On the flipside, Riz Ahmed has been the critical darling, so he is definitely one to watch for.

BEST ACTRESS
– Viola Davis: Ma Rainey’s Black Bottom
– Andra Day: The United States vs. Billie Holiday
– Sidney Flanigan: Never Rarely Sometimes Always
– Vanessa Kirby: Pieces of a Woman
– Frances McDormand: Nomadland
– Carey Mulligan: Promising Young Woman
– Zendaya: Malcolm & Marie

The Best Actress race is still a little tied up between Frances McDormand, Vanessa Kirby, and Carey Mulligan, I believe that Mulligan will take it, as she has always been a critical darling.

BEST SUPPORTING ACTOR
– Chadwick Boseman: Da 5 Bloods
– Sacha Baron Cohen: The Trial of the Chicago 7
– Daniel Kaluuya: Judas and the Black Messiah
– Bill Murray: On the Rocks
– Leslie Odom, Jr.: One Night in Miami
– Paul Raci: Sound of Metal

I think with Daniel Kaluuya suddenly emerging as the freight train frontrunner for the Oscar will undoubtedly be taking the award home. The only other competitor is Sacha Baron Cohen, but even he might be too far behind to take home the award.

BEST SUPPORTING ACTRESS
– Maria Bakalova: Borat Subsequent Moviefilm
– Ellen Burstyn: Pieces of a Woman
– Glenn Close: Hillbilly Elegy
– Olivia Colman: The Father
– Amanda Seyfried: Mank
– Yuh-Jung Youn: Minari

This season’s Best Supporting Actress race has been a very complicated one, but Glenn Close is who I think will be taking it home as a career win. Possibly Yuh-Jung Youn for her role in Minari, but in America she is relatively unknown and this is an American critics group, I’d lean towards Close in my predictions.

BEST YOUNG ACTOR/ACTRESS
– Ryder Allen: Palmer
– Ibrahima Gueye: The Life Ahead
– Alan Kim: Minari
– Talia Ryder: Never Rarely Sometimes Always
– Caoilinn Springall: The Midnight Sky
– Helena Zengel: News of the World

Helena Zengel has been getting a lot of acclaim for her role in News of the World, and will most likely take home the win. Her only competition is Alan Kim, who also has been getting a lot of acclaim for Minari.

BEST ACTING ENSEMBLE
– Da 5 Bloods
– Judas and the Black Messiah
– Ma Rainey’s Black Bottom
– Minari
– One Night in Miami
– The Trial of the Chicago 7

The Trial of the Chicago 7 has one of the best casts of the year, and all of them give fantastic performances as an ensemble, and will undoubtedly win the award.

BEST ORIGINAL SCREENPLAY
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– Jack Fincher: Mank
– Eliza Hittman: Never Rarely Sometimes Always
– Darius Marder & Abraham Marder: Sound of Metal
– Aaron Sorkin: The Trial of the Chicago 7

The original screenplay award is very tied up, but Aaron Sorkin just got a huge boost from his Golden Globes win, which I think will put him ahead of Promising Young Woman and Mank.

BEST ADAPTED SCREENPLAY
– Paul Greengrass & Luke Davies: News of the World
– Christopher Hampton and Florian Zeller: The Father
– Kemp Powers: One Night in Miami
– Jon Raymond & Kelly Reichardt: First Cow
– Ruben Santiago-Hudson: Ma Rainey’s Black Bottom
– Chloé Zhao: Nomadland

Nomadland has one of the best screenplays of the year, and will most likely be taking the award home, the only competition being One Night in Miami….

BEST CINEMATOGRAPHY
– Christopher Blauvelt: First Cow
– Erik Messerschmidt: Mank
– Lachlan Milne: Minari
– Joshua James Richards: Nomadland
– Newton Thomas Sigel: Da 5 Bloods
– Hoyte Van Hoytema: Tenet
– Dariusz Wolski: News of the World

While Joshua James Richards crafted some beautiful cinematography for Nomadland, you cannot ignore Erik Messerschmidt’s work in Mank, his gorgeous B&W cinematography of 1930s Hollywood I think will bring home the win for him.

BEST PRODUCTION DESIGN
– Cristina Casali, Charlotte Dirickx: The Personal History of David Copperfield
– David Crank, Elizabeth Keenan: News of the World
– Nathan Crowley, Kathy Lucas: Tenet
– Donald Graham Burt, Jan Pascale: Mank
– Kave Quinn, Stella Fox: Emma
– Mark Ricker, Karen O’Hara & Diana Stoughton: Ma Rainey’s Black Bottom

Mank has some of the best sets of the year and most likely will easily take home this win.

BEST EDITING
– Alan Baumgarten: The Trial of the Chicago 7
– Kirk Baxter: Mank
– Jennifer Lame: Tenet
– Yorgos Lamprinos: The Father
– Mikkel E. G. Nielsen: Sound of Metal
– Chloé Zhao: Nomadland

The Trial of the Chicago 7 has the flashiest editing, and it’s only competition is Tenet, but Chicago 7 will probably be taking home the win.

BEST COSTUME DESIGN
– Alexandra Byrne: Emma
– Bina Daigeler: Mulan
– Suzie Harman & Robert Worley: The Personal History of David Copperfield
– Ann Roth: Ma Rainey’s Black Bottom
– Nancy Steiner: Promising Young Woman
– Trish Summerville: Mank

Mank or Ma Rainey’s Black Bottom will be taking it as critics groups love a good period piece and they have the most lavish costume design.

BEST HAIR AND MAKEUP
– Emma
– Hillbilly Elegy
– Ma Rainey’s Black Bottom
– Mank
– Promising Young Woman
– The United States vs. Billie Holiday

Most likely Ma Rainey’s Black Bottom will be taking this for transforming Viola Davis as the titular character.

BEST VISUAL EFFECTS
– Greyhound
– The Invisible Man
– Mank
– The Midnight Sky
– Mulan
– Tenet
– Wonder Woman 1984

The Midnight Sky or Tenet will be taking this one, no contest.

BEST COMEDY
– Borat Subsequent Moviefilm
– The Forty-Year-Old Version
– The King of Staten Island
– On the Rocks
– Palm Springs
– The Prom

Most likely Borat, will be taking this one because of the politics, but I’d love to see On the Rocks or Palm Springs win.

BEST FOREIGN LANGUAGE FILM
– Another Round
– Collective
– La Llorona
– The Life Ahead
– Minari
– Two of Us

Another Round has run away with this award, plain and simple, and I am definitely okay with that.

BEST SONG
– Everybody Cries: The Outpost
– Fight for You: Judas and the Black Messiah
– Husavik (My Home Town): Eurovision Song Contest: The Story of Fire Saga
– Io sì (Seen): The Life Ahead
– Speak Now: One Night in Miami
– Tigress & Tweed: The United States vs. Billie Holiday

Let’s just say if One Night in Miami… doesn’t take it, I will be shocked.

BEST SCORE
– Alexandre Desplat: The Midnight Sky
– Ludwig Göransson: Tenet
– James Newton Howard: News of the World
– Emile Mosseri: Minari
– Trent Reznor & Atticus Ross: Mank
– Trent Reznor, Atticus Ross, and Jon Batiste: Soul

Trent Reznor and Atticus Ross are ruling awards season with their scores for Mank and Soul. I think they will most likely win for Soul, however I would love to see Göransson win for his career best work in Tenet.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

2021 Golden Globes Wrap-Up

Written by Alexander Reams

Well, the Golden Globes have come and gone. However, they have planted some interesting seeds of what seem to be shoe in Oscar nominations, and added some dark horses to be watching for in the coming weeks.

The biggest surprises of the night were Jodie Foster winning in the Best Supporting Actress category for The Mauritanian, Andra Day winning in the Best Actress; Drama category for The United States vs. Billie Holiday, and my favorite win of the night, Rosamund Pike winning in the Best Actress: Musical/Comedy category for I Care A Lot. Jodie Foster was never in the running for an Oscar nomination, and even her Globes nom was a complete surprise, but now I think she will at least be a dark horse in the Best Supporting Actress race in the Oscars. Most everyone has seemed to forget Lee Daniels middling and juvenile, and quite frankly, terrible film The United States vs. Billie Holiday. Despite most people forgetting about it, Andra Day nonetheless took home the award for Best Actress: Drama, making her presence in awards season all the more prevalent, for some reason. I would’ve much preferred Vanessa Kirby or Frances McDormand take her place on the stage.

Nomadland winning Best Picture: Drama, and Chloê Zhao winning Best Director was not a big surprise. I was very happy to see her take home both awards, and will continue to root for her winning streak to continue on this awards season. Borat Subsequent Moviefilm winning Best Picture: Musical/Comedy was not a surprise, in the past the HFPA has loved Sacha Baron Cohen as the titular character, while he isn’t doing anything new here, what he does, he does well, and his win for Best Actor: Musical/Comedy was not a shock. Best Actor: Drama of course went to Chadwick Boseman for his career best work in Ma Rainey’s Black Bottom, for which I am very happy to see him getting all this acclaim for his magnificent work. Aaron Sorkin returned to the stage to take home the Best Screenplay Award for The Trial of the Chicago 7, which was one of my favorite films of last year. I’m happy to see him get more recognition as his directing career continues.

Best Supporting Actor winner Daniel Kaluuya won for his powerful and heartbreaking portrayal as “Fred Hampton” in Shaka King’s brilliant Judas and the Black Messiah, which hopefully after this coming weekends Critics Choice Awards, will pave the way for him to take home the Oscar. Disney’s last offering of 2020, Soul, took home two big awards, Best Motion Picture: Animated, and Best Original Score, now I wholeheartedly agree with its BMP: Animated win. I define a good score as something that sticks with me, and none describe that more than Ludwig Göransson and his phenomenal work for Christopher Nolan’s Tenet, which I believe should’ve taken home the Best Original Score award. Best Foreign Language film went to A24’s Minari. At the Oscars however, this film will not be competing for this award so expect Thomas Vinterberg’s film Druk/Another Round, will be taking the award home that night.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

2021 Golden Globes Preview

Written by Alexander Reams

Well folks, it’s that time of year, where all of Hollywood’s best and drunkest get together, have one big cocktail party, and hand out a few awards.

In all seriousness, the Golden Globes aren’t the most prestigious or serious awards show, but they can boost or take away from a film more than people realize. Thinking back to 2019 BC (Before COVID), 1917 did not have much steam, until the Golden Globes where it picked up the Best Director and Best Motion Picture: Drama awards and became the frontrunner to win those awards at the Oscars.

Now this Sunday, February 28, are the 2021 Golden Globes and I’ll be giving my predictions as well as my insight into the upcoming night.

BEST MOTION PICTURE; DRAMA
– The Father
– Mank
– Nomadland
– Promising Young Woman
– The Trial of the Chicago 7

These nominees are very similar to what we’ve been seeing throughout the critics awards nominees, with the surprise addition of Promising Young Woman. I agree that Carey Mulligan gives a great performance, but in my opinion it has no place being in this category. Be that as it may, I still think that the HFPA will award The Trial of the Chicago 7 with Best Motion Picture; Drama. My personal pick would be Mank, as my other choice was not even nominated Da 5 Bloods.

BEST ACTRESS; DRAMA
– Viola Davis: Ma Rainey’s Black Bottom
– Andra Day: The United States vs. Billie Holiday
– Vanessa Kirby: Pieces of a Woman
– Frances McDormand: Nomadland
– Carey Mulligan: Promising Young Woman

Full disclosure, I have not seen The United States vs. Billie Holiday and Nomadland yet, however I believe that the winner will be neither of those films, Viola Davis or Carey Mulligan are who I believe will take home the award, Viola Davis is (FINALLY) getting more and more recognized for her fantastic work, and while Ma Rainey, might not be her best performance, the HFPA has always been about those career wins, and I think this would be another one after her win for 2016’s “Fences”. On the flipside, this is Carey Mulligan’s second nomination for a Globe after a very impressive career filled with fantastic performances so the HFPA might award her since Viola Davis already has won before. My personal pick would be Vanessa Kirby for Pieces of a Woman.

BEST ACTOR: DRAMA
– Riz Ahmed: Sound of Metal
– Chadwick Boseman: Ma Rainey’s Black Bottom
– Anthony Hopkins: The Father
– Gary Oldman: Mank
– Tahar Rahim: The Mauritanian

While I have not seen The Mauritanian yet, I think we can all agree that the Golden Globe Best Actor race is already done, with the late Chadwick Boseman locking it up. Some have said that he is only getting the buzz because of his untimely passing earlier this year, however I believe that whether or not he had passed, he would easily be winning the Globe for his performance in Ma Rainey.

BEST MOTION PICTURE: COMEDY/MUSICAL
– Borat Subsequent Moviefilm
– Hamilton
– Music
– Palm Springs
– The Prom

I’m gonna take a quick minute and gush over the fact that a film like Palm Springs is nominated for (what will probably be) its biggest nomination this awards season. Palm Springs is one of my favorite Golden Globes nominations this year. Now the winner? I’m still on the Hamilton train, it took the world by storm, and while Borat might have more of an obvious political statement, I think that Hamilton will be taking the award home.

BEST ACTRESS: COMEDY/MUSICAL
– Maria Bakalova: Borat Subsequent Moviefilm
– Kate Hudson: Music
– Michelle Pfieffer: French Exit
– Rosamund Pike: I Care A Lot
– Anya Taylor-Joy: Emma

I’ll keep this short and sweet, the only nominee who could challenge Maria Bakalova in my opinion is Rosamund Pike, whose nomination came out of nowhere.

BEST ACTOR: COMEDY/MUSICAL
– Sacha Baron Cohen: Borat Subsequent Moviefilm
– James Corden: The Prom
– Lin-Manuel Miranda: Hamilton
– Dev Patel: The Personal History of David Copperfield
– Andy Samberg: Palm Springs

This Best Actor race is a bit more tied up than its other comedy/musical counterpart, between Baron Cohen, Miranda, and Samberg being the three vying for the award, but in the end I think that Baron Cohen will take it.

BEST DIRECTOR
– Emerald Fennell: Promising Young Woman
– David Fincher: Mank
– Regina King: One Night in Miami…
– Aaron Sorkin: The Trial of the Chicago 7’
– Chloé Zhao: Nomadland

The only person who could challenge Zhao at this point is Spike Lee, but seeing as he wasn’t nominated, Zhao is a lock, I’ll be shocked if anyone other than her wins.

Thank you for checking out my Golden Globes preview, don’t forget to tune into it on NBC at 7PM EST/ 4PM EST.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

Sundance 2021 Review: The World to Come

Written by Maria Manuella Pache de Athayde

65/100

With Portrait of A Lady on Fire (2019) as the gold standard, everything that’s come after it has seemed subpar. Fastvold’s second feature, The World to Come, isn’t bad; but it’s hard to ignore comparisons to its precursor Portrait, which shares similar themes. Although superior to the recently released Ammonite (2020), The World to Come suffers from the timing of having to follow up Sciamma’s masterpiece.

It’s a slow burn (which I adored) and an intimate portrayal of two women who are unhappy in their separate marriages. They find a sense of self, of love, and renewed purpose in each other. I most enjoyed the continued exploration of the female gaze. When I see and hear stories about women on film it is essential that I hear them from a woman’s perspective. This grounds the reality I see on screen with the reality I live.

Anchored by Waterston and Kirby’s performances, and captured vividly at times by André Chemetoff’s cinematography. The World to Come is a story of intimacy and loss that we don’t often see. Though it lacks the swooning magic that made me fall in love with Portrait of A Lady of Fire. It still manages to be a satisfactory addition to the frontier romance drama, even if it fails to be bigger than it’s individual moments.

The World to Come Trailer

The World to Come is currently scheduled to have a limited release February 12th 2021 and become available on March 2nd 2021 on VOD platforms.

The World to Come played at the Sundance 2021 Film Festival.

You can follow Maria Manuella Pache de Athayde on Letterboxd, Twitter, or Instagram and view more of what she’s up to here.

Mr. Jones

Written by Taylor Baker

76/100

Agnieszka Holland’s harrowing look at the under discussed Holodomor in the 30’s is one of the many overlooked films of 2020. Mr. Jones features elegant transitional supercuts early on. The effect of which is to display the telephone wire and railways as ideas and functions. Holland evokes a sense of excitement about the promise of these technologies in the 1930’s. A point that begins to wane as the film progresses. The film settles upon the shoulders of James Norton playing the titular Mr. Jones, who was the journalist that first reported the tragedy occurring on the Eastern Front of the Soviet Union.

Cementing the narrative at the beginning is the lead in of Eric Arthur Blair better known as George Orwell sitting at a table looking at a pig in his yard. He is beginning to write one of, if not his best known work, Animal Farm. There is still a spirited debate as to whether the Farmer Jones character was indeed named after Gareth Jones, the hero of our film or not. We will likely never truly know this historical detail. There is a very compelling dissertation on this subject can be read here. Despite that debate you can’t help but see the similarity of the content of Animal Farm and the actions and events of the Soviet Union. An apt point that brings a layer to the story that is not only earnest but rings with a feeling of truth.

The film stays away from some of the more disturbing aspects of the Holodomor. Never venturing into the stories of cannibalism or the reality of the mass graves. It focuses exclusively on what Jones’ experience may have been and minor asides of those around him. It expends a bit more energy than is good for it on a budding romance between Kirby and Norton. Which while enjoyable in the thrust of the film, now in retrospect feels to have dampened the impact of the picture.

There are some consequential lulls in the narrative. The real engagement between myself and the film came from the behind enemy lines journalism segments and slow graduation into understanding how nefarious the “success” of the Soviet Union was. This is precisely the type of Historical Drama I often lament at not being made these days. If you like me are hungry for more stories in film about little seen historical events of great importance I encourage you to view Holland’s Mr. Jones. It’s what Snowball would have wanted.

Recommended.

Mr. Jones Trailer

Mr. Jones is currently available to stream on Kanopy and Hulu