Written by Taylor Baker
63/100
Jessie Barr’s directorial debut Sophie Jones starring her cousin Jessica Barr manages to to feel personal enough to never lose the interest of the viewer. Though one may meander away briefly in scenes when Sophie lays down in the grass and looks at the sky or has another empty conversation with a peer from school. The film opens up on Jessica Barr’s Sophie rummaging and ruminating in her mothers closet. Looking as one does after a loss for ‘something’. Sophie continues that search for the runtime of the film. Often entangling herself physically if not romantically with a few boys, before realizing they aren’t providing her that ‘something’ either.
Sophie Jones ultimately leans on the strength of it’s tone and the directness of the conversation of Sophie to nearly everyone she encounters. It’s the small moments that provide the bits of depth to the teen. Such as when she begs her sister to sit with her at lunch after her best friend departs for college, or when she is isolated at a party and goes to sit by herself. Those quiet personal moments give us some much needed empathy for the teen. I do find myself unsure about the full runtime of the film. Her journey doesn’t feel particularly remarkable or defined, rather an extended snapshot of a young girl’s grief. This will certainly be more than enough to grab onto for some viewers, but like Sophie in her mother’s closet at the beginning of the film, I’m still looking for that ‘something’.
There’s a lot of promise in this bootstrapping duo of storytellers. Sophie Jones may have enough sincerity to ring through into the coming of age film audience, if given a solid VOD acquisition to get there. I can certainly see enough potential here for a young adult cult classic. As with many debuts, I’m curious how they’ll follow this project up, and if they can lean more into their comedic sensibilities on the editing side on the next go around. There was a bit to much melancholic harshness during some quite absurd moments for me to feel like this is the best possible edit of the film.
Recommended.
–Taylor Baker originally posted this review on Letterboxd 10/10/20
Sophie Jones is part of the Heartland International Film Festival 2020 line up.
You can check out the HIFF Website here and stay up to date on Jessie Barr’s work here.
