Written by Maria Manuella Pache de Athayde
During the past few months I have developed a love for documentary filmmaking, but this “documentary” is unlike any other I’ve seen so far. From the opening title card which reads “lies are just another way of telling the truth.” I knew I should have been prepared but what happened next was surprising.
The film starts with WWII Swiss pilots and culminates in the crash of a pilot called Leon Barrett who loses his hearing. From there we get more insight into his relationship with Vivian Barrett, through a series of homemade videos, and their eventual trip to Paris where they secure a business deal to develop a new antidepressant called Lovedyn which has minimal side-effects.
As the documentary progresses, or so we are told, we see their journey across Europe, to places like Barcelona and Majorca, and the United States. We also see an apparent deterioration of their relationship when Vivian falls for a man named Leo. When Leon and Vivian eventually reunite in NYC they continue traveling by land, air, and sea promoting Lovedyn.
The biggest technical achievement of this piece is audio-visual manipulation and not the story itself. Bretzel is mostly silent and sound is used sporadically throughout. When sound is used it conveys a particular purpose or emotion typically used to indicate movement such as the sound of an airplane crashing, a train passing by, an owl flying down to catch its prey, the sound of a gondola, the roaring of the engines at a race track, or the crashing of waves. There is little to no dialogue and in the rare moment we hear spoken words it is the voice of an announcer calling a race. Instead of relying on sound the director, Gimenez, relies on archival home video footage overlaid with diary-like entries to explain what is going on.
This piece is the definition of a slow burn. I suspect that this is more of a pastiche of the stories that the director heard growing up as opposed to a strict documentary. When you try to learn more about who Leon and Vivian Barrett were nothing comes up. This genre bending compilation of images and people is worth a watch for those who have the patience to appreciate the little things in life. If you go in, like me, with zero expectations you might be pleasantly surprised.
My Mexican Bretzel Trailer
My Mexican Bretzel screened at the Vancouver International Film Festival 2020.
VIFF Website: https://viff.org/Online/
Available to stream thru IndiePix Unlimited here