Written by Maria Manuella Pache de Athayde
Who knew stained glass could be so interesting? Justin Monroe’s documentary tells the story of artist Tim Carey and Judson Studios who were commissioned by the Church of Resurrection in Kansas City to craft a 400,000 sq foot stained glass window which would be the largest installation known to date. In this process, I developed an entirely new appreciation for the art of glass making, the history industry that is over 1000 years old, and the personal growth that occurs when an artist discovers and reinvents himself.
In this doc, we learn about the history of glass making of the 120-year LA based glass making Judson Studios and the artists who work there. Our “protagonist” is Tim Carey who is the lead artist on the stained glass window commission. Even though I am not an artist I really identified with Tim who had these conflicting notions of perfectionism and impatience about his work and purpose as an artist. It was also a story about a man who underestimates himself and the need of words of affirmation to carry out his work.
This story about innovation relied heavily on a remarkable stained-glass master called Narcissus Quagliata. Tim, Narcissus, and the rest of the team at Judson Studios had a seemingly impossible task at hand; they had 24 months to complete 161 stained glass panels that would form the installation. Time wasn’t on their side. Traditional stained glass window techniques where single-color glasses pieces were individually bound together by lead would not be possible. Instead, they incorporated a new fusion glass staining technique that would allow them to fuse together multiple colors into a single piece of glass.
You will need to watch the documentary to see the final result. In the end, this was a story about finding your light through art and innovation. It was this passion for art and the commitment of the artists that possibly saved a dying industry and one of the last stained glass studios in the US who’s commissions increased after the Church installation. To quote Narcissus, “this window is going to be part of the history of glass.” I, for one, think they successfully accomplished this goal.
Holy Frit Trailer
Buy a ticket to see Holy Frit at the Slamdance 2021 Film Festival
You can follow Maria Manuella Pache de Athayde on Letterboxd, Twitter, or Instagram and view more of what she’s up to here.