Written by Patrick Hao
Shea Whigham has the type of face that is able to give the whole backstory of his character. That’s why he has been a stalwart character actor in films like Silver Linings Playbook, Wolf of Wall Street, and Take Shelter. It’s a wonder why it took so long for Whigham to lead an indie crime film – hell, John Hawkes has led several at this point. The Gateway finally gives Whigham a chance to lead a film, although it does not match the sturdiness of Whigham’s performance.
The film, the second feature from commercial and music video director Michele Civetta, is stuck between a gritty sociopolitical character study and a pulp neo-noir destined to be a spontaneous movie choice by “that” uncle during the holidays. The Gateway, unfortunately, does neither especially well. On the character end, Whigham plays Parker Jode, an ex-fighter turn social worker, who takes an interest in helping a young girl, Ashley (Taegen Burns), and her troubled mother Dahlia (Olivia Munn) way beyond his duties as a social bureaucrat. Parker Jode is the classic reserved tough guy – one who feels more than he says. Civetta uses all of Whigham’s weathered wrinkles to his advantage in that regard.
On the crime end, Ashley’s father Mike (Zach Avery) is released from prison. He is a triple whammy of a drunk, cheat, and abuser who continues to commit robberies at the behest of local crime boss Duke (Frank Grillo). When an armed robbery turns violent, Mike decides to stash heroin into his unwitting daughter’s bag, setting the movie into action. Oh yeah, strong supporting characters playing their typecasts appear throughout from Taryn Manning (as a barfly of course), Mark Boone Junior (as a drug-dealing bartender of course), Keith David (as a Keith David type of course), and Bruce Dern (as a doddering cursing Vietnam vet, trying to atone for his sins as the father of Parker Jode of course).
The Gateway is exactly the type of movie you expect from the title, the poster, and the cast. None of it is especially convincing except for Wigham who is trying his darndest to make his world-weary character enough to carry the film. Civetta is not devoid of style. His influences are clear. The film starts out with neon hues like a second-rate Michael Mann and quickly devolves into straight to Redbox over lit tones.
It would have been better if the film decided to lean into its pulpier proclivities. Rather, Civetta and his screenplay written with Alex Felix Bendaña and Andrew Levitas leans into the hard times social message clichés. None of it is particularly convincing or inspiring. It doesn’t help that Olivia Munn and Zach Avery give stilted performances. It’s the chicken or the egg situation – was it the performances or the script that is wooden. The answer is probably a bit of both. Its hard to be too hard on a film like The Gateway. Its aspirations seem minimal, with its only ambitions being a calling card to whomever gets a break from this small film. It does not help the case of Shea Whigham, “Leading Man,” because even as the lead, the film is straining to focus on someone else.
The Gateway Trailer
The Gateway is available in select theaters and on VOD. Available on Blu-ray and DVD on September 7th.
You can follow Patrick and his passion for film on Letterboxd and Twitter.