Written by Michael Clawson
Stimulating docu-fiction that contemplates the attachment of history and memory to physical spaces, and what’s lost when those spaces are ignored or destroyed.
An ethnologist arrives in a seaside community that finds itself on the cusp of significant transformation. A collection of homes are about to be razed to make way for a tunnel that will connect Germany and Denmark, and the ethnologist, Dara, is there to document what the infrastructure project is about to relegate to history. Between interviews with people who have to relocate and visits to dusty, abandoned homes that still hold their previous owner’s intimate possessions, Dara strikes up a relationship with Polish construction worker, a younger man who, like her, is in the area only temporarily for a project.
Hartman films from a studious remove that draws attention to her precise, often static framing. I was absorbed by her visual exactitude and the coldness in her craft, and love how long she lingers on character’s faces, allowing their humanity to really sink in. Schanelac regular Marren Eggert has a small role, but Hartman appears to have more in common with Helena Wittmann than Schanelac.
Giraffe is currently awaiting distribution and is not yet available.