Toronto International Film Festival 2021 Review: Dionne Warwick: Don’t Make Me Over

Written by Maria Athayde

65/100

Dionne Warwick: Don’t Make Me Over co-directed by Dave Wooley, making his feature directorial debut, and David Heilbroner immortalizes a legend, humanitarian, and artist we all know as Dionne Warwick. While there is nothing particularly innovative or different in this feature it still managed to capture the allure, talent, and heart of one Dionne. Punctuated with archival footage of Dionne, amateur nights at the Apollo theater, and “testimony” from the likes of Elton John, Snoop Dog, Alicia Keys, Gloria Estefan, Bill Clinton, Stevie Wonder, Quincy Jones, and Smokey Robinson one can start to understand the magnitude and impact this woman had in the music world and beyond.

Toronto International Film Festival 2021

While one can infer that influence Dionne has in American culture the movie does a poor job of contextualizing it for the audiences, especially those who are unfamiliar with her work. This is particularly true when the movie talks about her experiences in the racially segregated South. Likewise, the documentary also overlooked Dionne’s ability to read music, understand complex melodies, and how she did not fit into one box. Dionne always had this uncanny ability to navigate among soul music, R&B, and pop that I wish was further explored in the documentary. 

Dionne is much more than raw talent. She’s pure skill, technique, and a person who is in full control of her voice. As a person and artist Dionne was always sure of herself which surely contributes to her continued success. This documentary is the perfect introduction for those looking to learn about Dionne Warwick but it definitely lacks that something extra for die hard fans or those who are already familiar with her story.

Dione Warwick: Don’t Make Me Over was screened as part of the 2021 edition of the Toronto International Film Festival.

You can follow Maria Manuella Pache de Athayde on LetterboxdTwitter, or Instagram and view more of what she’s up to here.

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