Written by Patrick Hao
Another year means another entry in Hong Sang-soo’s ever expanding oeuvre. In Front of Your Face is a sparse feature that, like most of Hong’s films, lulls the viewer into a sense of malaise to the daily trivialities of life, before the revelations change the context of the entire film. This has become quite a feature to many of Hong’s films, and really speaks to his interests in how we as people are able to go through the mundane when there is something earth shattering inside.
For most of the film’s 85-minute run time, In Front of Your Face follows Sangok (Lee Hye-yeong), an actress who returns to Korea from the United States. She spends the first half of the movie with her sickly sister, Jeongkok (Cho Yunhee), who is letting her stay in her apartment. The film moves at a leisurely pace, as a sort of a hang out film. They have breakfast, go on a walk, spill soup on a blouse. The interactions feel so mundane, less patient viewers might start squirming.
This very well might be the secret to Hong’s power as a filmmaker. Subtle tension becomes clearer as the film progresses especially with little flourishes, such as Sangkok’s internal monologue popping up from time to time allowing for little revelations. The grainy digital filmmaking that Hong applies also creates a sense of awkwardness between the two.
The second half of the film revolves around a meeting between Sangok and a filmmaker (played by Hong’s frequent stand-in Kwon Hae-hyo) who was enamored with Sangok’s previous acting work. Here the tone shifts. Instead of a tension of a secret held, there is a romantic tension between every pleasantry between the two. Hong is always at his best when filming two people drinking, slowly letting their guard down.
The worst comparison anyone has ever made about Hong’s movies is that he is like Woody Allen. The comparison is there because Hong often has stand-ins for himself, but while Woody Allen is steeped in his own self centered neuroses, Hong’s films are buoyed by melancholic musings of daily human interaction. They just happen to always be about actresses and directors, the people that he knows best. Even though Hong works at such a prolific pace, there is grace in his films. The title In Front of Your Face is the perfect encapsulation of the thesis of the film. And for viewers, Hong presents it right in front of their face. It is up to the viewer to decide if they want to receive it.
In Front of Your Face Trailer
In Front of Your Face was screened as part of the 2021 edition of the Vancouver International Film Festival.
You can follow Patrick and his passion for film on Letterboxd and Twitter.
One thought on “VIFF 2021 Review: In Front of Your Face”