Venom: Let There Be Carnage

Written by Alexander Reams


“Fuck this guy.” 

Venom always knows what to say. No matter the situation he always seems to have a one-liner cocked and ready to go. Following the massive and surprising success despite a universal critical panning of its 2018 predecessor, Venom: Let There Be Carnage, is a sequel that knows exactly what it is. A breath of fresh air in the heavily inundated superhero film culture. Bringing on a director like Andy Serkis, who has possibly the most experience in motion capture performance of any actor, was not only the next logical step but the smartest decision Sony could’ve made. A director like Ruben Fleischer was a decent choice to introduce the character of Venom, but Serkis takes the foundation laid and elevates it to an insane level of zaniness and glee. 

Following the events of the first film, Eddie Brock and Venom are the odd couple with a capital “O”. Their relationship is strenuous at best, and at worst a force that can destroy Eddie’s apartment, including a bit involving Eddie’s relationship with a television. All the while, Cletus Kassidy (Woody Harrelson, going full Woody in all the best ways) is about to be executed for his mile-long list of crimes, events transpire, and he becomes the symbiote known as Carnage. Filling out the rest of the cast is Naomie Harris as Shriek, Michelle Williams and Reid Scott returning as Anne Weying and Dan Lewis respectively. 

Nowadays, superhero films are always so serious, and the tone of this film spits in the face of all of those films. Trading serious for silly on every level and everyone knows it, and the film works even more because of this. The first film wanted to be serious and turned silly, continuing that trajectory helped solidify the future of Eddie Brock

P.S. The post-credit scene truly does change the forefront of Eddie/Venom’s story and the forefront for the Sony Marvel characters.

Venom: Let There Be Carnage Trailer

Venom: Let There Be Carnage is currently playing in wide theatrical release.

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