The Holdovers

Directed by: Alexander Payne
Distributed by: Focus Features

Written by Nick McCann

99/100

The holidays are upon us. Great for many, rough for others. In contrast to the wonderful lives and Christmas stories out there, director Alexander Payne comes along to show how even the flawed can come together for some sort of peace and celebration.

As it begins, “The Holdovers” fully embraces being a whole-hearted throwback. It goes beyond the filmstock cinematography and analog sound. There’s a cozy, easy-going progression that doesn’t take away from the highs of the comedy or deep cuts of the drama. It’s completely human, being totally relatable without resorting to excessive sentimentality. Warm feelings like the ones given off by this story make me want to stay within these misadventures, even when it seems it could’ve ended multiple times before the actual finale.

This is thanks to three engaging and hugely likable performances. Paul Giamatti once again shows his often stealthily recognized brilliance, in what is a career highlight as a crusty, old teacher. Opposite him, Dominic Sessa makes a strong debut with all the energy and the right kind of angst in any emotionally conflicted teenager. Rounding them out, Da’Vine Joy Randolph carries an unseen baggage without letting herself be pushed over. David Hemingson’s script balances every character out ideally, making smaller roles stand out and ensuring they constantly feed into the greater meaning. Not to mention sharp dialog at every turn.

I could personally go on about the presentation for maybe an hour. All the snow-capped landscapes and retro architecture make the movie nostalgic in a fitting way. Most of all, the cinematography is gorgeous! So much life is put into each shot, from rich colors to particular movements. Editing compliments this, letting moments breathe and guiding along feelings with ease. If that wasn’t enough, the audio mix makes surprising use of a condensed quality for a further vintage vibe. It also features a solid compilation of songs and a delightful score.

Every element making up “The Holdovers” turns it into the super 16mm home movie you never knew your grandparents had. By far the comfiest movie of the year. It’s a breed of movie we’d all thought long gone, this kind of artistic warmth and vulnerability will earn a fond embrace from those who love it.

“The Holdovers” Trailer

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