Kong: Skull Island

Directed by: Jordan Vogt-Roberts
Distributed by: Warner Bros. Pictures

Written by Nick McCann

83/100

2014 saw America do something right by making Godzilla successful and thrilling for Western audiences. It only made sense from there to bring back the other world-famous creatures of cinema. At the time, it had been a while since Kong made any notable appearance. So in the shadow of the King of Monsters would come some newfound energy.

Those who found themselves not fully satisfied with the slow build of “Godzilla” should be delighted with how much faster things move on Skull Island. Director Jordan Vogt-Roberts creates a unique blend of Vietnam war tale, throwback Ray Harryhausen adventure, and anime fantasy. Although more light in tone compared to Gareth Edwards’ movie, there is some narrative bite from all the expected war parallels. Not to mention giving a refreshing approach to the Kong formula and sending up classic iconography (aircraft battle, chains, etc). There’s just as much going on about unearthing myths as it is focusing on those finding purpose after battle. All the while quickly taking you on a wild ride in a wild land.

With that said, many of the characters somewhat feel like a standard issue adventure roster. It’s a pretty sizable bunch that could have done with some trimming down for tighter focus. Yet the high-profile cast and their solid performances do still make the roles engaging on some levels. Tom Hiddleston and Brie Larson feel fairly static but carry themselves well on screen. Samuel L. Jackson compels more as a military colonel vowing vengeance and taking out wartime aggression on Kong. On the flip side to him is John C. Reilly, offering up plenty of great gags but having the most surprising amount of endearment. John Goodman, Shea Whigam, Jason Mitchell, and Thomas Mann also get various times to stand out.

Much in that Harryhausen spirit, the monsters are the stars. Hats off to the visual effects and production design for giving personality to just about every facet of the island. Everything from the 1970s sun-drenched color scheme to misshapen landscapes gives the film an off-kilter quality. At the center of it is Kong himself, who remains as likable as ever. Compared to other interpretations, he’s more youthful here with a lonely disposition as the last of his kind. Even the scars on him, as well as the details on other creatures, allude to a whole grander history.

When it comes time for battle, it’s frenetic like the best possible video game cutscene! Much of that is in how much style goes into the camera movements and editing choices. There’s clear anime language being communicated in the visuals that speak great volumes. And although not quite at the level of “Godzilla,” scale is constantly reinforced to give these beats power. Henry Jackman also provides a wonderful score that merges classic monster movie motifs with the psychedelic sounds of the era. Whether a platoon of soldiers unloading bullet after bullet or Kong throwing a right hook on a Skull Crawler, there’s abundance and variety in the set pieces.

This is about the most high-energy creature feature I can think of! All the young-minded creative sensibilities make for an unexpected treat for such a cinematic legend. Yet there is respect and all the excitement you could want exploring dangerous lands like Skull Island. Sure characterization is basic but it’s a small price to pay. The humans get the job done (sans a couple of intriguing areas), letting Kong and his big friends lighten up the show. Beat your chest and fly the friendly skies of this land of monsters.

“Kong: Skull Island” Trailer

You can connect with Nick on his Facebook and Letterboxd.