Cruella

Written by Alexander Reams

89/100

Cruella is the latest film from critical darling Craig Gillespie (Lars and the Real Girl, I,Tonya, and Fright Night). The film follows a young Cruella de Vil as she attempts to leave her young life of crime and enter the London fashion scene. All the while discovering revelations about her past with her companions Horace (Paul Walter Hauser) and Jasper (Joel Fry). 

Emma Stone took this iconic character and truly made it her own. She delivers a nuanced, extravagant, and heartwrenching performance in the film. Her performance has already been compared to Joaquin Phoenix’s in 2019’s Joker, and rightfully so. The main difference for me is that Stone is far superior in her role than Phoenix was. She exudes joy and menace at the same time. 

With this film being about fashion, you would expect that the costume and production design are nothing short of brilliant, and you would be right. Jenny Beavan and Fiona Crombie do excellent work as the costume and production designers for the film, fully immersing the viewer in 1970’s London. Gillespie brings back his usual editor, Tatiana S. Riegel, to edit the film. She does a marvelous job, knowing just when to let the shot continue and when to do quicker cuts. Nicolas Karakatsanis returns to work with Gilespie after their collaboration with 2017’s I, Tonya. His tracking shots are very frenetic and beautiful. 

My issues are very few with the film but still issues. One scene in particular that sticks out was either lit very poorly which made it look like a green screen, or the VFX was done very poorly, but either way it just does not look right and sticks out like a sore thumb. Despite that the film still has so much going for it. Emma Stone’s performance, Joel Fry and Paul Walter Hauser being comedic revelations, the editing and cinematography, and Gillespie’s direction. All of this made for a very fun time that is well worth a watch.

Cruella Trailer

Cruella is currently playing in Theaters and on Disney+ with a 29.99 surcharge.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter. Or see more of his work on his website.

2021 Broadcast Critics Choice Awards Preview

Written by Alexander Reams

In recent years, the Critics Choice awards have been a great predictor on what will not only be nominated at the Oscars, but what might win. This year the awards are being given out almost a whole month before the Oscar nominations even come out, on the flipside, voting begins this Friday (March 5), two days later, the Critics Choice Awards happen, which could help the winners and the nominees that have fallen behind in the guilds and other respective awards shows.

BEST PICTURE
– Da 5 Bloods
– Ma Rainey’s Black Bottom
– Mank
– Minari
– News of the World
– Nomadland
– One Night in Miami…
– Promising Young Woman
– Sound of Metal
– The Trial of the Chicago 7

After the (somewhat) surprise win for Nomadland at the Golden Globes, I think that win secured its win for the Critics Choice Awards this Sunday, the only other film I think that could challenge it would be The Trial of the Chicago 7 or Mank.

BEST DIRECTOR
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– David Fincher: Mank
– Spike Lee: Da 5 Bloods
– Regina King: One Night in Miami…
– Aaron Sorkin: The Trial of the Chicago 7
– Chloé Zhao: Nomadland

The Critics Choice awards have historically split Best Director and Best Picture, so if Nomadland wins Best Picture, then I think David Fincher will win for Mank, and vice versa. Also, quick rant, why is Emerald Fennell even being considered for this category, her direction is the entire reason I believe Promising Young Woman is a mediocre film. Either way, she’s nominated so that should show that she is in the running for Best Director, for some reason.

BEST ACTOR
– Ben Affleck: The Way Back
– Riz Ahmed: Sound of Metal
– Chadwick Boseman: Ma Rainey’s Black Bottom
– Tom Hanks: News of the World
– Anthony Hopkins: The Father
– Delroy Lindo: Da 5 Bloods
– Gary Oldman: Mank
– Steven Yeun: Minari

I think we all have the same winner in mind, Chadwick Boseman, he has been the runaway winner the entire awards season thus far. On the flipside, Riz Ahmed has been the critical darling, so he is definitely one to watch for.

BEST ACTRESS
– Viola Davis: Ma Rainey’s Black Bottom
– Andra Day: The United States vs. Billie Holiday
– Sidney Flanigan: Never Rarely Sometimes Always
– Vanessa Kirby: Pieces of a Woman
– Frances McDormand: Nomadland
– Carey Mulligan: Promising Young Woman
– Zendaya: Malcolm & Marie

The Best Actress race is still a little tied up between Frances McDormand, Vanessa Kirby, and Carey Mulligan, I believe that Mulligan will take it, as she has always been a critical darling.

BEST SUPPORTING ACTOR
– Chadwick Boseman: Da 5 Bloods
– Sacha Baron Cohen: The Trial of the Chicago 7
– Daniel Kaluuya: Judas and the Black Messiah
– Bill Murray: On the Rocks
– Leslie Odom, Jr.: One Night in Miami
– Paul Raci: Sound of Metal

I think with Daniel Kaluuya suddenly emerging as the freight train frontrunner for the Oscar will undoubtedly be taking the award home. The only other competitor is Sacha Baron Cohen, but even he might be too far behind to take home the award.

BEST SUPPORTING ACTRESS
– Maria Bakalova: Borat Subsequent Moviefilm
– Ellen Burstyn: Pieces of a Woman
– Glenn Close: Hillbilly Elegy
– Olivia Colman: The Father
– Amanda Seyfried: Mank
– Yuh-Jung Youn: Minari

This season’s Best Supporting Actress race has been a very complicated one, but Glenn Close is who I think will be taking it home as a career win. Possibly Yuh-Jung Youn for her role in Minari, but in America she is relatively unknown and this is an American critics group, I’d lean towards Close in my predictions.

BEST YOUNG ACTOR/ACTRESS
– Ryder Allen: Palmer
– Ibrahima Gueye: The Life Ahead
– Alan Kim: Minari
– Talia Ryder: Never Rarely Sometimes Always
– Caoilinn Springall: The Midnight Sky
– Helena Zengel: News of the World

Helena Zengel has been getting a lot of acclaim for her role in News of the World, and will most likely take home the win. Her only competition is Alan Kim, who also has been getting a lot of acclaim for Minari.

BEST ACTING ENSEMBLE
– Da 5 Bloods
– Judas and the Black Messiah
– Ma Rainey’s Black Bottom
– Minari
– One Night in Miami
– The Trial of the Chicago 7

The Trial of the Chicago 7 has one of the best casts of the year, and all of them give fantastic performances as an ensemble, and will undoubtedly win the award.

BEST ORIGINAL SCREENPLAY
– Lee Isaac Chung: Minari
– Emerald Fennell: Promising Young Woman
– Jack Fincher: Mank
– Eliza Hittman: Never Rarely Sometimes Always
– Darius Marder & Abraham Marder: Sound of Metal
– Aaron Sorkin: The Trial of the Chicago 7

The original screenplay award is very tied up, but Aaron Sorkin just got a huge boost from his Golden Globes win, which I think will put him ahead of Promising Young Woman and Mank.

BEST ADAPTED SCREENPLAY
– Paul Greengrass & Luke Davies: News of the World
– Christopher Hampton and Florian Zeller: The Father
– Kemp Powers: One Night in Miami
– Jon Raymond & Kelly Reichardt: First Cow
– Ruben Santiago-Hudson: Ma Rainey’s Black Bottom
– Chloé Zhao: Nomadland

Nomadland has one of the best screenplays of the year, and will most likely be taking the award home, the only competition being One Night in Miami….

BEST CINEMATOGRAPHY
– Christopher Blauvelt: First Cow
– Erik Messerschmidt: Mank
– Lachlan Milne: Minari
– Joshua James Richards: Nomadland
– Newton Thomas Sigel: Da 5 Bloods
– Hoyte Van Hoytema: Tenet
– Dariusz Wolski: News of the World

While Joshua James Richards crafted some beautiful cinematography for Nomadland, you cannot ignore Erik Messerschmidt’s work in Mank, his gorgeous B&W cinematography of 1930s Hollywood I think will bring home the win for him.

BEST PRODUCTION DESIGN
– Cristina Casali, Charlotte Dirickx: The Personal History of David Copperfield
– David Crank, Elizabeth Keenan: News of the World
– Nathan Crowley, Kathy Lucas: Tenet
– Donald Graham Burt, Jan Pascale: Mank
– Kave Quinn, Stella Fox: Emma
– Mark Ricker, Karen O’Hara & Diana Stoughton: Ma Rainey’s Black Bottom

Mank has some of the best sets of the year and most likely will easily take home this win.

BEST EDITING
– Alan Baumgarten: The Trial of the Chicago 7
– Kirk Baxter: Mank
– Jennifer Lame: Tenet
– Yorgos Lamprinos: The Father
– Mikkel E. G. Nielsen: Sound of Metal
– Chloé Zhao: Nomadland

The Trial of the Chicago 7 has the flashiest editing, and it’s only competition is Tenet, but Chicago 7 will probably be taking home the win.

BEST COSTUME DESIGN
– Alexandra Byrne: Emma
– Bina Daigeler: Mulan
– Suzie Harman & Robert Worley: The Personal History of David Copperfield
– Ann Roth: Ma Rainey’s Black Bottom
– Nancy Steiner: Promising Young Woman
– Trish Summerville: Mank

Mank or Ma Rainey’s Black Bottom will be taking it as critics groups love a good period piece and they have the most lavish costume design.

BEST HAIR AND MAKEUP
– Emma
– Hillbilly Elegy
– Ma Rainey’s Black Bottom
– Mank
– Promising Young Woman
– The United States vs. Billie Holiday

Most likely Ma Rainey’s Black Bottom will be taking this for transforming Viola Davis as the titular character.

BEST VISUAL EFFECTS
– Greyhound
– The Invisible Man
– Mank
– The Midnight Sky
– Mulan
– Tenet
– Wonder Woman 1984

The Midnight Sky or Tenet will be taking this one, no contest.

BEST COMEDY
– Borat Subsequent Moviefilm
– The Forty-Year-Old Version
– The King of Staten Island
– On the Rocks
– Palm Springs
– The Prom

Most likely Borat, will be taking this one because of the politics, but I’d love to see On the Rocks or Palm Springs win.

BEST FOREIGN LANGUAGE FILM
– Another Round
– Collective
– La Llorona
– The Life Ahead
– Minari
– Two of Us

Another Round has run away with this award, plain and simple, and I am definitely okay with that.

BEST SONG
– Everybody Cries: The Outpost
– Fight for You: Judas and the Black Messiah
– Husavik (My Home Town): Eurovision Song Contest: The Story of Fire Saga
– Io sì (Seen): The Life Ahead
– Speak Now: One Night in Miami
– Tigress & Tweed: The United States vs. Billie Holiday

Let’s just say if One Night in Miami… doesn’t take it, I will be shocked.

BEST SCORE
– Alexandre Desplat: The Midnight Sky
– Ludwig Göransson: Tenet
– James Newton Howard: News of the World
– Emile Mosseri: Minari
– Trent Reznor & Atticus Ross: Mank
– Trent Reznor, Atticus Ross, and Jon Batiste: Soul

Trent Reznor and Atticus Ross are ruling awards season with their scores for Mank and Soul. I think they will most likely win for Soul, however I would love to see Göransson win for his career best work in Tenet.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter.

Episode 91: Raindance 2020 / He Dreams of Giants / A Dim Valley / Nafi’s Father

“Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It’s about expanding how you see the world. I think we live in an age where we’re just hammered, hammered to think this is what the world is. Television’s saying, everything’s saying ‘That’s the world.’ And it’s not the world. The world is a million possible things.”

Terry Gilliam

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This week on Drink in the Movies Michael & Taylor discuss their First Impressions of Hillbilly Elegy & Ma Rainey’s Black Bottom and the Raindance 2020 Titles: He Dreams of Giants, A Dim Valley, and Nafi’s Father.

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At this time there are no streaming links for titles this episode

He Dreams of Giants, A Dim Valley, and Nafi’s Father are currently seeking distribution and awaiting a formal release date announcement.

You can read Taylor’s review of Ma Rainey’s Black Bottom here