Written by Alexander Reams
Cruella is the latest film from critical darling Craig Gillespie (Lars and the Real Girl, I,Tonya, and Fright Night). The film follows a young Cruella de Vil as she attempts to leave her young life of crime and enter the London fashion scene. All the while discovering revelations about her past with her companions Horace (Paul Walter Hauser) and Jasper (Joel Fry).
Emma Stone took this iconic character and truly made it her own. She delivers a nuanced, extravagant, and heartwrenching performance in the film. Her performance has already been compared to Joaquin Phoenix’s in 2019’s Joker, and rightfully so. The main difference for me is that Stone is far superior in her role than Phoenix was. She exudes joy and menace at the same time.
With this film being about fashion, you would expect that the costume and production design are nothing short of brilliant, and you would be right. Jenny Beavan and Fiona Crombie do excellent work as the costume and production designers for the film, fully immersing the viewer in 1970’s London. Gillespie brings back his usual editor, Tatiana S. Riegel, to edit the film. She does a marvelous job, knowing just when to let the shot continue and when to do quicker cuts. Nicolas Karakatsanis returns to work with Gilespie after their collaboration with 2017’s I, Tonya. His tracking shots are very frenetic and beautiful.
My issues are very few with the film but still issues. One scene in particular that sticks out was either lit very poorly which made it look like a green screen, or the VFX was done very poorly, but either way it just does not look right and sticks out like a sore thumb. Despite that the film still has so much going for it. Emma Stone’s performance, Joel Fry and Paul Walter Hauser being comedic revelations, the editing and cinematography, and Gillespie’s direction. All of this made for a very fun time that is well worth a watch.
Cruella is currently playing in Theaters and on Disney+ with a 29.99 surcharge.