Army of Thieves

Written by Alexander Reams

90/100

It’s always clear when Netflix trusts their IPs and their creators. Clearly, they have trust in Zack “I will make movies however long I want and you’ll like it” Snyder, and I am okay with it. They let him make a wild, fun, huge zombie/action/Dave Bautista one-liner film and it was a blast. Not 6 months later a prequel film focusing on standout Ludwig Dieter was released with Matthias Schweighöfer returning as the awkward and lovable safe-cracker and also jumping in the director’s chair as well. Bringing his own style that somehow fits into the universe that Snyder created while also standing by itself as well. 

Before zombies took over Las Vegas and turned it into their own playground, there was a life for Ludwig Dieter. Not much of one, make a YouTube video (that gets no views), get coffee, go to work (where he clearly does not care), and go home. Repeat, every day, until he finally gets a view on one of his videos, and a comment. Things are looking up for old Ludwig until he gets a very mysterious invite to a safe-cracking competition. Here he is able to show off his skills and impress jewel thief Gwendoline. After making quick work of his competitors he is recruited to the team. Consisting of Korina Dominguez (a woefully underrated Ruby O. Fee), Brad Cage (a generic bad guy with the funniest name; Stuart Martin), Rolph (standout Guz Khan). 

As with the previous entry in the Army of the Dead Snyder-Netflix-verse, there is money involved, but a lot less of those pesky undead folks getting in the way of good old-fashioned money stealing. Instead, this time we have a pesky- and stop me if you’ve heard this one before- Interpol agent with a connection to one of the heisters from the past who now is obsessive over catching the entire team so much that it affects his personality to comic results. While this was funny at first Delecroix outstayed his welcome very quickly. The cat and mouse aspect is one of the key elements of a heist film and was executed here very poorly, which unfortunately falls on Writer Shay Hatten (who returns to this universe after co-writing with Zack Snyder on Army of the Dead).

Read Alexander’s review of Army of the Dead

These YouTube videos that Ludwig makes are often the subject of fictional safe-maker Hans Wagner (and the Richard Wagner connection is only beginning). After a long stint of being in a creative rut, and losing his wife and children, Wagner creates his version of his namesake’s Ring Cycle. For Hans, it means four safes, each inspired by one of the operas in the Ring Cycle (at this point in the film the classical music nerd in me was losing his mind over the love for Wagner present). Those three safes are Das Rheingold, Die Walküre, and the Siegfried. The final safe was lost and never found, the one that completes the Ring Cycle, the Götterdämmerung

Four key aspects that meshed together very well and elevated the film to a high quality level of humor and heart. Firstly, Hans Zimmer and Steve Mazzaro’s score. Combining a mesh of strings and modern sounds to make a soundtrack that constantly controlled the tension perfectly, especially in the safe-cracking scenes. Secondly and thirdly, the editing by Alexander Berner and the cinematography by Bernhard Jasper. Constantly on beat with the music and never quick cutting during action sequences, especially during the Prague burglary. Jasper chose to use the Alexa Mini LF, which is not a loss in quality compared to larger Alexa cameras, but is lighter so can be used in faster-paced films. 

Finally, Director, star, king of beautiful curly hair, Matthias Schweighöfer. Without his love and care for this project and this character the film would not work. Snyder made the right move trusting Schweighöfer to expand the universe he set up, and he expanded it well. Throwing in subtle nods to what’s to come, a news report here, a name drop there, all adding up to two surprising cameos in the end. This will be one of the most underrated films of the year and incidentally one of my favorites, from the technical aspects, the subtle humor that never beats you over the head, the score, and the fact that a modern film can appreciate such perfect classical music. 

Bring on the Götterdämmerung.

Army of Thieves Trailer

Army of Thieves is currently available to stream on Netflix.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter. Or see more of his work on his website.

F9: The Fast Saga

Written by Alexander Reams

56/100

The laws of physics have unknowingly or knowingly been the backbone of the human race since the dawn of time. Countless times films have tried to disregard those laws, with some succeeding even without them, and some have crashed and burned spectacularly (looking at you Transformers: Age of Extinction and Transformers: The Last Knight). Ever since its resurgence in pop culture in 2011 with the wildly successful Fast Five, the Fast & Furious franchise has continued to be less and less realistic (I’m sorry but Dwayne Johnson moving a torpedo’s trajectory with his bare hands is amazing, but a stretch at best). This continuation of less grounded films peaked in 2019’s Hobbs & Shaw and now they have gone too far. 

The film is continuing the story of Dominic Toretto and crew, including his wife, Letty Ortiz, Tej Parker, Roman Pierce, sister Mia Toretto, and mysterious hacker Ramsey. The plot of the movie is one that we’ve seen thousands of times, the crew needs to get a “thing” so that the bad guys don’t. That’s it. That is the entire plot. The twist here is that the “bad guy” is Dom’s long lost brother, Jakob Toretto. Yes, they are continuing their streak of doing soap opera tropes but with a budget, and the script certainly feels like one at times. The question that has been asked since the film came out is “Who is at fault?” The answer is clear, the screenwriter, or in this case, screenwriters. This is the first film in the franchise since The Fast & The Furious: Tokyo Drift that Chris Morgan has not written, and he was a driving force behind keeping this series in control of itself and never going too far fetched and keeping the stakes real. This time Justin Lin, Daniel Casey, and Alfredo Botello are the writers of the film and it reads as if they scoured the reddit forums and just threw countless ideas at a wall and saw what stuck. 

Read Alexander’s Fast and Furious Franchise Retrospective

Justin Lin is not only a writer on the film, he returns after a 8 year hiatus from the franchise. His return not only brought a level of hype back to the franchise that I had not felt since 2013 when James Wan was announced as the director of Furious 7. It also brought a level of expectation of quality that I had associated with Lin’s work in the franchise. He is responsible for two of my favorite entries of the franchise Fast Five and Fast & Furious 6. Unfortunately I felt that we did not get the maturing and exciting Justin Lin that did Star Trek: Beyond here, it seemed like we got Fast & Furious (2009) Justin Lin, which as you might know, is the only entry that does not work for me on any level. While his quieter moments do not work, he undeniably has a great eye for shooting action set pieces. Particularly a car chase with Dame Helen Mirren and Vin Diesel through the streets of London and an early jungle chase in Montequinto with the crew. His pacing throughout these scenes is masterfully done and is never too frenetic or too quick to jump cut.

Han’s death in The Fast & The Furious: Tokyo Drift was a shocking and heartbreaking moment in the franchise, even more so after seeing him in entries 4-6. His character was my personal favorite and his constant snacking became one of my first thoughts whenever Fast & Furious comes into conversation. When it was revealed that he would be back for F9 my excitement went through the roof. However my excitement was reduced when I began to think about how he would be brought back. I should have tempered my expectations far further than I had. I won’t delve into spoilers but, the explanation given is one of the biggest half baked explanations of the entire franchise. Bringing Han back also took away any sense of stakes and consequences, now anyone can be brought back, no matter dead, disintegrated, melted, etc. 

F9 is a muddled mess, from the story, to performances, Charlize Theron is acting like she is in a completely different film and constantly made me feel like I was watching a Razzie Awards clipshow of horrendous lines. While I do not believe this film to be anywhere near the greatness of entries 5-7 or Hobbs & Shaw there is enjoyment to be found throughout. If you go into the film thinking of it not as an action film, but as a comedy, you might find much more enjoyment. Let us all hope that the 2 part finale will be far superior, Chris Morgan, please, I beg of you, please return to the franchise. 

F9: The Fast Saga Trailer

F9: The Fast Saga is currently playing in wide theatrical release.

You can connect with Alexander on his social media profiles: Instagram, Letterboxd, and Twitter. Or see more of his work on his website.

Retrospective Feature: Fast & Furious Saga

Written by Alexander Reams

What started out as a glorified Point Break ripoff has snowballed into one of the biggest action franchises of all time and also one of the biggest soap operas in history. A series spanning 20 years, 8 films, 1 spin off, and a countless array of cars destroyed. Before the newest comes out, join me as I briefly discuss each film, note important characters introduced and events in the film. 

Without further ado, let’s jump in.

The Fast and the Furious (2001) 

Dir. Rob Cohen

45/100

In the early 2000s, countless films wanted to be a part of the glory days of the 1990s action films. Then a street racing film full of relatively unknown actors released in the summer of 2001. While The Fast and the Furious is a fun summer movie, its style is far too frenetic and juvenile to warrant repeated viewings. Specifically the race war scene and the race between Dom (Vin Diesel) and Brian O’Connor (Paul Walker) are fun to watch. There was no plan for sequels when this came out, and despite this the groundwork was being laid for a massive franchise. Besides introducing Vin Diesel, Paul Walker, and Michelle Rodriguez, the film introduces the budding relationship between Jordana Brewster’s “Mia Torretto” and Brian O’Connor. 

2 Fast 2 Furious (2003)

Dir. John Singleton

42/100

Before I even begin to critique the film as a whole, I cannot ignore the absolute stupidity of the title. There were so many different options to choose from, with the most obvious probably being the best one, The Fast and the Furious 2. Now, at the height of mid-2000s fashion, the newest Fast and Furious came out, and directed by John Singleton?! The same director from Boyz n’ the Hood and Shaft (2000). How could he make such a terrible film? The missing piece is Vin Diesel, the bond he and Walker formed in the first film is broken by the absence of Diesel and takes away a massive pull to watching this series. In the end it makes this one of the least rewatchable films in the franchise.

Groundwork laid: Introduction of Roman Pierce (Tyrese Gibson) and Tej Parker (Ludacris).  

The Fast and the Furious: Tokyo Drift (2006)

Dir. Justin Lin

61/100

After the critical and commercial failure of the previous film. Universal brought in fresh blood to direct, Justin Lin, who was coming off the critical success of Better Luck Tomorrow. As well as a brand new cast including Lucas Black, Sung Kang, and 2000’s icon Lil Bow Wow. This is also the first time that the series had shown real stakes in the death of Sung Kang’s “Han Seoul-Oh”. While also introducing another world of racing that had not been shown on film before. The style Lin brought to the film was similar to what had previously been done before, however it had more finesse of a better director which made the film far superior than the previous entries. The only connection to the previous films that appeared in this film was Vin Diesel in a cameo role at the end. 

Groundwork & Timeline Information: Introduction of Han Seoul-Oh and Sean Boswell (Lucas Black). Also providing the catalyst for Furious 7 to start off from. 

Fast & Furious (2009)

Dir. Justin Lin 

35/100

Unfortunately the fun from the previous film would run out here. Widely regarded to be the worst of the franchise and deservedly so. There is not much I can bash about that hasn’t already been said about this film. 

Groundwork & Timeline Information: To account for absences, this is set between 2 Fast 2 Furious and The Fast and the Furious: Tokyo Drift. Also the introduction of Leo and Santos. As well as the crime lord Arturo Braga and Gal Gadot’s Gisele.

Fast Five (2011)

Dir. Justin Lin

76/100

The first time that the franchise was truly celebrated by critics and audiences alike. A true reinvention of the franchise that was full of life and joy. As well as being one of the best heist films of the 21st century. Bringing together everyone that has been introduced in the previous films to form a crew who are all on the point of desperation. Dom, Mia, and Brian are all fugitives after breaking Dom out from prison. However with all of that added stress, Dwayne Johnson joins the cast as Agent Luke Hobbs chasing down the fugitives. Add in wonderfully choreographed action and an amazing finale and you have one of the best action films of the 2010s. 

Groundwork Laid: First time the team works together as a whole, introduction of Dwayne Johnson’s “Luke Hobbs”. Evidence that Letty is alive appears in a post credit scene. 

Fast & Furious 6 (2013)

Dir. Justin Lin

78/100

After the excitement of the heist in Brazil, the team go their separate ways until Luke Hobbs bring them back in to take down Owen Shaw (Luke Evans), who has employed an amnesiac Letty to his crew. Yes, the franchise has brought in the very common soap opera trope of “amnesia”. Justin Lin continues his streak of filming the franchise very well, and still keeping the characters and the story first. 

Groundwork Laid: Introduction of the Shaws. 

Furious 7 (2015)

Dir. James Wan 

82/100

For the first time in 9 years, a Fast & Furious movie was not helmed by Justin Lin, but horror breakout star, James Wan. Wan brings a very new style to the franchise and a new way of shooting the film. His way of shooting action makes it more comprehensible for audiences to consume. While continuing the story of the team, it also introduces a new villain, and brother of the previous antagonist, Deckard Shaw, played wonderfully by Jason Statham. As well as shadow figure “Mr. Nobody” played by a gleefully weird Kurt Russell. 

Groundwork & Timeline Information: The Fast and the Furious: Tokyo Drift takes place between Furious 7 and Fast & Furious 6. Showing that Tokyo Drift was a spinoff about what Han does after the death of his lover Gisele. It is also revealed that Deckard Shaw killed Han in retribution for what was done to his brother. Also the introduction of the hacker “Ramsey” played by GOT star Nathalie Emmanuel. 

The Fate of the Furious (2017)

Dir. F. Gary Gray

68/100

The latest in the main storyline of Fast & Furious sees Dom go rogue for unknown reasons… until they are known. A trope that has been done before, but not to the extreme that happens here. The New York City sequence alone proves that. However this does revert back to putting action and set pieces before story and characters which does take away the stakes of the film and is frustrating to say the least. However it is still a fun watch nonetheless. 

Groundwork Laid: Introduction of “super hacker” Cipher played by a dreads wearing Charlize Theron. Also confirming that Dom had a son with former flame Elena (Elsa Pataky).