Written by Michael Clawson
Just after experiencing a devastating loss, Anna (Juliette Binoche) hosts Jeanne (Lou de Laâge) for several days at a Sicilian villa as they await the arrival of Giuseppe, Anna’s son and Jeanne’s lover. They spend their time meandering the grounds and dining well together as Jeanne grows increasingly suspicious of Giuseppe’s absence and Anna waits to share with Jeanne the true reason for her grief.
“L’attessa” (aka “The Wait”) is the feature directorial debut from Piero Messina, who clearly prefers dialogue to be sparse and for imagery to tell much of the story. He leans heavily on Binoche’s ability to communicate emotion with facial expression and body language and tries to amplify dramatic moments with musical crescendos. Suspense is built on multiple fronts: the audience is probed to wonder about the true whereabouts of Giuseppe, his and Jeanne’s history, and when, if ever, Anna will bring Jeanne out of the dark about what so intensely upsets her.
Binoche and de Laâge do more than enough to lend credibility to their interactions, but the film is dripping too profusely with contrivances to maintain a comfortable level of drama. At one point, we see Anna attempt to squeeze every last drop of air from an inflatable pool toy, as if the effort from doing so will allow her to shed the burden of her grief. It’s reminiscent of Messina’s effort to inject feeling into every frame, so much so that the experience is nearly stifling.
The Wait Trailer